Spartiti di ballate

This arrangement by Oliver Nelson is a gorgeous alto saxophone feature of Cole Porter's I Worship You. The alto player can either perform the solo part (completely written out) as originally played an...

This is a beautiful, lush, straight-eighth ballad on the popular Cole Porter tune Easy To Love. Arranged by Lennie Niehaus, this short (and quite dancable) chart exemplifies the Kenton-esque warm and...

Originally arranged for George Roberts and the Stan Kenton Orchestra, Johnny Richards' treatment of the beautiful ballad 'Yesterdays' is a bass trombone feature throughout. In typical Kenton fashion,...

This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns i...

This arrangement is easier than the Pro version. It is a step lower and only one chorus long. Pat plays this at just about every concert of the Group. It is on the First Circle LP. The featured solo c...

Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band,...

Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band,...

Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has composed a fascinating, brooding, and pensive melody of 'Mixed Emotions.' Set in a very contemporary feel with lush har...

As recorded by the Oliver Nelson Orchestra, 'Wannsee' is the 2nd movement of the Impressions of Berlin suite. This lovely, beautiful, haunting melody features flute and flugelhorn as they each get the...

As recorded by the Oliver Nelson Orchestra, 'Heidi' is the 3rd movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a quiet beginn...

As recorded by the Oliver Nelson Orchestra, 'Heidi' is the 3rd movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a quiet beginn...

This may be one of the most beautiful compositions Sierra Music has ever published. One of the last original pieces composed by the late Fred Sturm, and as sensitively arranged by David Springfield as...

A ballad for Solo Trumpet, this is an ideal selection for your festival requirements. It's a beautiful, haunting theme with full, expressive harmonies. The solo part is very playable by any good high...

As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, '(A) Relative Calm' is a beautiful ballad that features trumpet throughout. There is very little improvisation...

This is, unquestionably, one of the most beautiful ballads ever written. And this arrangement really takes advantage of the richness of the Kenton Sound. This chart captures that wonderful feeling of...

Every once in a while a melody is written that words cannot convey and only the soul understands. Master of melodies Pat Metheny did just that in his composition of 'Tell Her You Saw Me', and Bob Curn...

A beautiful, concise, yet elegant ballad, Bob Curnow once again turns one of Pat Metheny's amazing compositions into an arrangement meant for a big band. Don't Forget (Renato's Theme) features a few s...

Bob Curnow has arranged this haunting melody with lots of interesting counterpoint and harmonies throughout. It has a brief written tenor saxophone and trombone solo and is written in a comfortable ra...

As recorded by Stan Kenton & His Orchestra on the '7.5 On The Richter Scale' album, this all time great standard receives a fresh sound with the impeccable scoring talent of Marty Paich. This arrangem...

One of the loveliest ballads ever recorded by the Kenton Band. Recorded on the Stan Kenton Plays Chicago CD. This is one of 2 original pieces by Bob Curnow from this album. This is an updated version...

This is a lovely, bossa-type ballad which is captured by soft sounds from the whole band, especially flugelhorns. There is ample space for a trombone solo, and there are optional flute parts. Les does...

This is a beautifully haunting melody, scored for bass clarinet soloist (opt. bar. sax part incl.). Except for the solo part, the chart is not at all demanding of the other players. Flute and soprano...

Buddy Rich played this chart constantly! Features a great bass trombone solo on the tune. Flute doubles required on all saxophone parts. Here is a rare chance to feature the bottom of the trombone sec...

An absolutely stunning feature for flugelhorn and piano!! The great bassist Ray Brown wrote this gorgeous bossa/ballad, and Geoff Keezer gave it his special, inventive touch. One of the great jazz pia...

A Percussion Ensemble arrangement of this amazing piece.