John LaBarbera

The Pythodd Club in Rochester, New York was where the famed La Barbera brothers were first exposed to real, live jazz, and the Hammond B3 organ was often a part of these groups. Here John uses the org...

In Horace Silver's own words, this sassy, bluesy shuffle with a bebop-style melody portrays a mythical man of rather dubious character. An alto, trumpet and trombone trio give the opening and closing...

From John La Barbera's latest big band recording, here is the title cut - a masterful arrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a weal...

John La Barbera has taken his well-known version of Chick Corea's Spain and done a great job of adapting it for the small band format. Certainly an exciting offering for mature players in an arrangeme...

Here is an exciting yet playable version of this great Latin chart by John La Barbera. Surprisingly true to the original as it employs some fiery, samba-like writing, this is sure to be a hit.

John La Barbera's treatment of Voyage marks the first professional big band recording of this classic Kenny Barron tune. This chart really pops right from the start, and is a terrific showcase for tru...

Dedicated to Henry Mancini, this clever original in a characteristic medium swing style features a number of Hankisms embedded throughout. Flutes are optional but can really add a nice touch if you ha...

An oustanding classic to showcase your vocal soloist. In case no vocalist is available, the solo part is also provided for tenor sax.

Italian Folk Music for Mandolin is an enjoyable collection of pieces from various parts of northern, central and southern Italy. This anthology includes complete texts and translations of the songs wi...

Recorded by Buddy Rich on the album Rich In London (RCA), this well-crafted excursion gives the drummer a real workout from start to finish and showcases a recurring presentation of the folk theme by...

Recorded by Buddy Rich on the album Rich In London (RCA), this well-crafted excursion gives the drummer a real workout from start to finish and showcases a recurring presentation of the folk theme by...

Recorded on the Buddy Rich album "A Different Drummer" as Part 2 of "A Piece Of The Road Suite," this rock outing with repeating rhythmic figures keeps everyone on their toes. It opens with an unaccom...

Recorded on the Buddy Rich album "A Different Drummer" as Part 2 of "A Piece Of The Road Suite," this rock outing with repeating rhythmic figures keeps everyone on their toes. It opens with an unaccom...

Recorded by Buddy Rich on the album Stick It, this driving original with attitude assigns the primary solos to tenor and alto sax, with the drummer contributing several well-placed fills throughout. L...

Recorded by Buddy Rich on the album Stick It, this driving original with attitude assigns the primary solos to tenor and alto sax, with the drummer contributing several well-placed fills throughout. L...

Featuring a quirky blend of reggae and blues, this original by jazz master John La Barbera is an appealing and unique change of pace. Solo space is provided for tenor sax, along with spicy riffs for e...

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombone; lead alto takes the only improvised...

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombonelead alto takes the only improvised so...

Buddy Rich played this chart constantly! Features a great bass trombone solo on the tune. Flute doubles required on all saxophone parts. Here is a rare chance to feature the bottom of the trombone sec...

Professional Editions - Grade 5 Buddy Rich fans will instantly recognize this staple of the famed drummer's live performances. Although Buddy never recorded this monster chart, John La Barbera has fea...

In Horace Silver's own words, this sassy, bluesy shuffle with a bebop-style melody portrays "a mythical man of rather dubious character." An alto, trumpet and trombone trio give the opening and closin...

Originally written in 1946 by Charlie Parker soon after his longtime friend and musical companion Dizzy Gillespie left him in Los Angeles to return to New York City, this uptempo setting for big band...