Spartiti barbershop per coro misto

Sing We Merrily Unto God Our Strength is a work described as 'a choral fanfare for festival use. ' It's a piece for unaccompanied double choir (SSAATTBB) composed by Martin Shaw.

For Soprano and Baritone Soli and SATB Choir A Cappella.

Kenneth Leighton's setting of the Preces And Responses for unaccompanied SATB chorus, as composed in 1964.

Carol for SATB Choir A Cappella.

Arranged for solo soprano and unaccompanied SATB chorus (with divisions). Words by Sir Thomas Browne. First performed by Chichester Cathedral Choir on 17 July 1979. Duration: c. 8 minutes.

For SATB Chorus A Cappella.

For A Cappella SATB Choir.

Motet for SSAATTBB Choir A Cappella. Dedicated to Michael Nicholas and the Choir of Norwich Cathedral.

This is a beautiful setting of Lullay Mine Liking by Richard Rodney Bennett. It is arranged here for SATB choir a cappella and includes a Keyboard reduction for rehearsal purposes.

A Hymn Of The Nativity, a Carol for Soprano Solo and unaccompanied SATB chorus. Words by Richard Crashaw.

Anthem for A Cappella SATB Choir.

The Magnificat was written in 1982 in response to a commission from Christ Church College, Oxford, whose choir first performed it under their conductor Francis Grier in July of that year. At that time...

These three Carols are set for SATB (divisi) Choir A Cappella.

A setting of four poems by Geoffrey Hill. For SATB Choir A Cappella.

John Joubert's Hymne To God The Father for unaccompanied SATB choir, from words by John Donne. Duration: c. 7mins.

Carol for SATB Choir A Cappella. From Cantata I composed in 1965.

For SATB A cappella

This work was commissioned by St Dunstan's College, South-East London, for the celebration of its centenary in 1988. It is an anthem, and uses a setting of Psalm 100. The work has three main sections...

For A Cappella choir. Edited by Patrick Russill.

Five short settings for SATB Choir A Cappella of the texts of George Herbert.

Even such is Time, an early motet for double choir, written in 1913 'as student homework for Dr. Charles Wood' with whom Howells studied harmony and counterpoint at the Royal College of Music between...

For unaccompanied SATB chorus.

Why, O Lord, do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005, questions the presence of God in times of human disaster, particularly when committed by...

Drop, drop slow tears was written for The Arcadian Singers of Oxford University for a recording in 2002. The work is set in a simple three-verse format, beginning with upper voices whose melting harmo...

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-pa...