Spartiti per orchestra sinfonica

for vocal soloists or SATB choir and orchestra. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by f...

A cantata for soprano and baritone soloists, SATB, and large or small orchestra. Drawing upon the Bible, sections from the Mass, and poems by Walt Whitman, this is a powerful evocation of the destruct...

Orchestal scores and parts and study scores are available on hire. Orchestration: 1 Flute, 1 Oboe, 1 Corno Anglais, 2 Clarinets, 1 Bassoon, 2 Horns and Strings

A cantata for soprano and baritone soloists, SATB, and orchestra. Material for the full orchestral version and an accompaniment for strings and piano is available on hire. 3.2.2.2.Cb - 4.4(2 Opt).5 Tb...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

Magnificat is Kilars second strictly liturgical work, following Missa pro pace. It is my thanksgiving to the Lord for my life and for freedom in Poland said the composer and also for the fact that her...

Even if Schumann falls back on the hymnbook when choosing the text of his Advent Song, the composition probably was politically motivated and, still under the impressions of the revolutionary years of...

On 10 December 1852 Robert Schumann wrote that his Missa sacra was a work 'of medium size, not difficult to perform' and 'suited for church and concert use'. But the composer himself never saw a...

As late as 1830, Robert Schumann described himself as 'religious without religion'. Nevertheless, in 1852, he composed within four months not only Missa sacra but also his Requiem, a touching work whi...