Spartiti per Pianoforte di Faber Music per ogni livello

Angklung was completed in Sussex and first performed at the 1974 Edinburgh Festival. It was written for and dedicated to Roger Woodward and described by the composer as follows: 'Angklung is essential...

Keynotes is a new series of essential piano repertoire from across the ages which has been carefully selected and edited by John Lenehan, one of Britain's most experienced, versarile and sought-after...

Keynotes is a new series of essential piano repertoire from across the ages which has been carefully selected and edited by John Lenehan, one of Britain's most experienced, versarile and sought-after...

Keynotes is a new series of essential piano repertoire from across the ages which has been carefully selected and edited by John Lenehan, one of Britain's most experienced, versarile and sought-after...

Step it up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlian - with imaginative arrangements of well-known tunes, and duets too - thi...

The exploration of Romantic Repertoire Level 2 takes a look at the composers and musical styles of France, Russia and America, including well-known masterpieces as well as great new discoveries. Suita...

'Still Sorrowing' - a lament which is also a homage to Romantic sentiments - proved to make the most ingenious use of a prepared' piano that I have heard in a long time. While a recurrent plaint tinti...

Book of the Bells was written in Roger Woodward’s home in Brixton, London in late 1980 and early 1981, just before the first riots there. Woodward, as is well known, is a pianist of prodigious technic...

Track 1 - the electronic accompaniment (everything on the score except piano solo part) Track 2 - a silence (separator) Track 3 - solo part with accompaniment (for rehearsal)

Vers was commissioned by the Royal Festival Hall, for Pierre Boulez on the occasion of his 75th birthday. Following the double meaning of the word 'vers', this is a verse which leads 'towards' a brief...

‘… deliberately provocative, musical leftovers seasoned with wit.’ North Shore Times (Fred Blanks), 11 April 2001 ‘Getting up each other’s noses is a game that critics and performers often play in pri...

‘…a piece that sounds as if Khachaturian may have thought of it while primed with vodka and facing a Russian firing squad. This had wit.’ The Sydney Morning Herald (Fred Blanks), 16 August 1994