Anne Boyd
Angklung
for Solo Piano
Anne Boyd
Angklung
for Solo Piano
- Formazione pianoforte
- Compositore Anne Boyd
- Edizione spartiti
- Casa Editrice Faber Music
- Numero d'ordine 0571501133
sarà spedito in 3-6 giorni lavorativi
IVA inclusa,
Escluse le spese di spedizione
Non disponibile in tutti i Paesi. Saperne di più
Descrizione:
Angklung was completed in Sussex and first performed at the 1974 Edinburgh Festival. It was written for and dedicated to Roger Woodward and described by the composer as follows:
'Angklung is essentially melodic and monodic in character. It was influenced by the ecstatic pure melody of the Japanese shakuhachi (bamboo flute) and the soft and infinitely subtle tones of the ancient gamelan (orchestra) of the Javanese Court.
In Java and in Bali there is a very old kind of music for the gamelan angklung, which is tuned to a four-note scale. In this gamelan are found the instruments which are called angklungs. These are made out of bamboo tubes which resonate when shaken. Each instrument is tuned to a single note and its octave (four tubed angklung) or octaves (three tubed angklung). My work for piano also uses only four notes which are delicately coloured by the addition of the same note an octave higher or lower. It is concerned with the tuning of ourselves with others and with the natural world of which we are a part'.
A.B. 1974
'Angklung is essentially melodic and monodic in character. It was influenced by the ecstatic pure melody of the Japanese shakuhachi (bamboo flute) and the soft and infinitely subtle tones of the ancient gamelan (orchestra) of the Javanese Court.
In Java and in Bali there is a very old kind of music for the gamelan angklung, which is tuned to a four-note scale. In this gamelan are found the instruments which are called angklungs. These are made out of bamboo tubes which resonate when shaken. Each instrument is tuned to a single note and its octave (four tubed angklung) or octaves (three tubed angklung). My work for piano also uses only four notes which are delicately coloured by the addition of the same note an octave higher or lower. It is concerned with the tuning of ourselves with others and with the natural world of which we are a part'.
A.B. 1974