Spartiti medio per Orchestra jazz e Big Band

Ursprünglich als vierhändiges Klavierwerk komponiert, dann symphonisert und fast 150 Jahre später für Big Band arrangiert. Mit starken Harmonien, einem fetzigen Groove und natürlich der bekannten Melo...

As recorded in 1971 by Buddy Rich on the album A Different Drummer (RCA Victor), this irresistible jazz waltz is a huge treat for bari sax soloists who seldom get the chance to step into the spotlight...

As recorded in 1972 by Buddy Rich on the album Stick It (RCA), this delightful jazz waltz gives solo work to tenor (or soprano) sax and trombone. Use of optional flutes by saxes and harmon-muted trump...

One of 7 charts featured on the 1981 album Ashley Alexander Plays Frank Mantooth, solo space in this uptempo shuffle goes to guitar and piano. Short sax and brass trades throughout culminate in a loud...

Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Grammy-nominated album Farewell To Mingus, highlights include solos for bari (or tenor) sax and trombone, brass plungers, and an optiona...

Resa famosa dalla Tommy Dorsey Orchestra, la nostra versione di Sunny Side of theStreet è tratta dalla versione eseguita dal grande Syd Lawrence. La forma e la struttura si basano sulla versione origi...

Using the trademark samba style that Chick Corea has become known for, here is his composition North Africa in an outstanding interpretation by Mike Tomaro. The opening section features a small group...

This chart starts out in a blaze of excitement and never eases off. It features tenor sax and trombone on the melody, with solo space for alto and trumpet as well. This was featured on the famous Mess...

Neil Slater, the Director of Jazz Studies at the University of North Texas, is a superb composer. This chart will be a lot of fun for your band to play. The piece is set in such a way that it is movin...

This is a great chart on a great standard, originally recorded by the Terry Gibbs Band on the Dream Band CD. The chart originally featured vibes throughout, but it has been edited to feature any numbe...

Recorded on the Vic Lewis West Coast All-Stars play the music of Bill Holman (MOLE JAZZ CD 14) by an exciting lineup of L.A.'s best, Sizzler is an up-tempo, straight-ahead jazz chart with solo space f...

A re-scoring of a Kenton original (richer harmony, better key). Soft flugel opening building to a tremendous climax. Can be programmed at any community or school event. JUST RECORDED BY THE WONDERFUL...

As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is a lovely, easy-flowing piece that moves from a ballad (lullaby) to a waltz (featuring trombone and alto saxophone) and...

Bring the unmistakable groove and sophistication of the legendary Thad Jones era to your stage! Published by Smart Chart Music, "Don't Get Sassy (in Bb)" is the more challenging of the two popular 'Sa...

This tune is based on the changes to 'I'm Getting Sentimental Over You' but at a medium swing tempo.

Diese Nummer beginnt mit einer langsamen Unisonomelodie in den Saxofonen, die zu einer Reprise des Hauptthemas im ganzen Register führt. Ein Wechsel zur 'Double Time' führt dann zu den Tenorsaxofon- u...

Tom Molter has composed an exciting and compelling piece akin to the big-band charts inspired by the music of Pat Metheny. 'Apollo's Reel' is set in a bright 3/4 feel with temporary shifts to a 4/4 sw...

A great title and an even better chart! Fred has created a tune which is hard to forget, along with a terrific arrangement that has very reasonable ranges for all (1st trpt. written A). Tenor sax solo...