Spartiti medio per Orchestra d'archi

Ukrainian composer Viktor Kosenko (1896-1938) was highly regarded in his lifetime as a concertmaster, pianist, educator, and composer. Taken from his Four Children’s Pieces for Piano, this arrangement...

Una delle due sole sinfonie composte durante il suo soggiorno in Francia, la Sinfonia n. 1 di Bologne riflette l'influenza dei suoi insegnanti e dei suoi colleghi compositori del nascente periodo clas...

Questo energico secondo movimento del famoso Concerto brandeburghese n. 3 di Bach è stato sapientemente arrangiato per essere più accessibile agli ensemble d'archi in via di formazione. Rimanendo nell...

Il violinista e compositore Samuel Coleridge-Taylor era noto per aver abbracciato le forme di canto e di danza precedentemente inesplorate della nativa Africa occidentale di suo padre, incorporandole...

Finalmente un'interpretazione del famoso Canone in Re di Pachelbel con più di 8 note per le sezioni di violoncello e basso! La Rapsodia di Pachelbel reimmagina in modo creativo questa nota melodia in...

La compositrice, cantante e violinista italiana Maddalena Lombardini Sirmen nacque in povertà nel 1745. Riuscì a imparare il violino in un orfanotrofio femminile, prendendo anche lezioni dal composito...

For the advanced ensemble, Doris Gazda has expertly arranged this glorious ballad by Norwegian composer that was a contemporary of Edvard Grieg. It is an exceptional composition and will take a mature...

Instrumentation: Violin I, Violin II, Violin III (Viola TC), Viola, Cello, Bass, Piano This is a wonderful new setting of a little known Debussy piano piece in the style of one of his more famous piec...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

Stimmensatz - 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 2 Kontrabässe - Streichorchester

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo