Spartiti medio per Ensemble misti

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Experience one of the most brilliant masterworks of the Italian High Baroque: Antonio Vivaldi's renowned Concerto Grosso in D minor, Op. 3/11 (RV 565 / PV 250), from the groundbreaking collection "L'E...

Antonio Vivaldi's world-famous masterpiece L'Estro Armonico Op. 3/11 (RV 565 / PV 250) in D minor stands as one of the ultimate pinnacles of the Baroque concerto grosso. Its thrilling momentum, captiv...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera or...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

The early classical concerto of Georg Benda, the younger brother of Franz Benda, that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best adva...

Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which m...

Stimmensatz chorisch - 4 Violinen I, 4 Violinen rip. (Flöte/Oboe)

Dirigierauszug - DIRA - Klavier (Cembalo), 2 Violinen und Bass

Partitur = Cembalo, Klavier - Trompete, Oboe, Streicher und Basso continuo

Leclair is one of the great classical masters of the violin. This concerto is the first of six concertos Op. 10. The score of this edition follows strictly the original edition.

An unknown setting of a famous work of Giuliani, possibly arranged by the composer.

An unknown setting of a famous work of Giuliani, possibly arranged by the composer.

Auf eine besondere Art spricht J. L. Printemps in diesem Werk viele musikalische Gattungen an und räumt der Flöte eine besondere Rolle im Zusammenspiel mit Gitarre und Violine ein. Eine Gelegenheit di...

The reason for the composition of this work is well-known: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and...

Quando Richard Wagner arrivò a Parigi nel settembre 1839, nutriva grandi progetti: Parigi avrebbe dovuto aiutarlo a raggiungere il successo internazionale come compositore d’opera. Ma quelle speranze...