Spartiti medio di Hinshaw Music

This unaccompanied motet for mixed voices by Canadian composer Eleanor Daley calls for divisi in the soprano and bass parts. Contemplative in nature, the lovely work would be quite effective during th...

If you need a concert closer, look no further! For mixed divisi voices a cappella, this original spiritual/gospel song calls for an advanced chorus with a capable soloist. Use it to close your next co...

John Donne has provided inspiration for a number of significant choral works. This is truly no exception. For unaccompanied mixed voices with a small amount of divisi, college and university choirs wi...

There are numerous settings of this lovely Polish carol. Here, Robert Lau sets the tune for SAB voices with organ in his masterful style.

This piece was winner of the 2010 Vanguard Premieres Choral Composition Contest. A setting of Psalm 42, the rich harmonic language and skilled voice leading produce a lovely effect that complements th...

The accompanied version of this prayer has been very popular with choirs since first introduced in 1986. Here, Robert Delgado arranges the original Allen Pote composition for mixed voices a cappella (...

Commissioned by Florida State University to celebrate the sixty-five year history of the university singers, this nineteenth century American 'parlor' song arrangement preserves the nostalgic mood of...

The work of James Green is known to many of you because of his long association with Hinshaw music. This unique piece for mixed voices (SATB or SAB) a cappella has texts for either secular or sacred v...

This original spiritual by composer Jess Turner comes recommended by Dr. Andre Thomas. Scored for mixed chorus with divisi, the unaccompanied piece would work well for high school voices, community ch...

This Christina Rossetti text is well known-especially through the settings of Gustav Holst and Harold Darke. Here Matthew Oltman sets the beautiful text for unaccompanied mixed chorus (divisi) on a tr...

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

This lyrical, moving piece is wonderful for any day of the year. It is especially nice for festival use and has a restorative quality that makes it ideal for memorial services. It does require some ef...

Sure to be a hit at holiday concerts, Carl Nygard has arranged this work masterfully for male choruses. Try it as a concert closer or encore!

Originally for mixed voices (HMC1720), Kenney Potter sets his original spiritual for male chorus, suitable for high school voices or adults.

This motet was originally published for unaccompanied mixed chorus (HMC1971). This setting for male voices provides a harmonically rich addition to this repertoire.

Robert Schumann was a master at composing lovely partsongs for chorus. On an exciting text by Heinrich Heine, the editor gives us a modern edition for use with school or community chorus male ensemble...

Adapted from Proverbs 31: 25-30, for unison or two part choir, great for Mother's Day, weddings, or other special services

From the Accent On Youth series, for 3-part choir, keyboard, oboe, flute, violin, triangle and wind chimes.

Three Scottish Love Songs is drawn from the Hopekirk Anthology. The vocal arrangements were begun during a residency at the Hambridge center in Raburn Gap, Georgia in June 1996, and were completed in...

There are two separate pieces in the octavo. The introit is Surely God Is In This Place and the blessing is A Celtic Blessing that begins, 'May the Christ Who walks on wounded feet walk with you on th...

An unusually graceful arrangement of the well-loved tune from 'southern harmony'Also available in SATB (HMC1424)

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

Scored for treble voices with piano and cello, this is a deeply meaningful work that is suitable for Mother's Day, baptism, or services of grief and remembrance, two soloists could also sing it.

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.