Spartiti medio di Hinshaw Music

This major work is a seven-movement setting of Psalm 100, predominantly in Latin. Inserted within the work are interjections of the text 'Shout to the Lord, all ye lands!' in eight different languages...

Conosciuto principalmente per la sua fantastica musica strumentale, Frank Ticheli ci offre il suo terzo lavoro corale pubblicato. Per coro misto non accompagnato, il testo del compositore potrebbe ess...

Questo lavoro commemorativo su un testo di Mark Twain è impostato sulle ricche strutture armoniche che si trovano in diversi pezzi di Dan Forrest. Per voci miste divise non accompagnate, assicuratevi...

This musical elegy by composer Dan Forrest was originally set for mixed voices with optional piano. Also available for male chorus with piano, this new setting for treble voices with piano is a deeply...

Questo lavoro commemorativo su un testo di Mark Twain è impostato sulle ricche strutture armoniche che si trovano in diversi pezzi di Dan Forrest. Per voci miste divise non accompagnate, assicuratevi...

This text, adapted here from the book of Ruth, is well known to most of us because of its use in many marriage ceremonies. Dan Forrest now beautifully sets the text for divisi mixed voices a cappella.

Experience the thrilling energy of György Orbán’s masterpiece 'Daemon Irrepit Callidus' in this gripping setting for male choir (TTBB). Driven by pulsating rhythms, this dramatic choral work captivate...

Conosciuto principalmente per la sua fantastica musica strumentale, Frank Ticheli ci offre il suo terzo lavoro corale pubblicato. Per coro misto non accompagnato, il testo del compositore potrebbe ess...

The accompanied version of this prayer has been very popular with choirs since first introduced in 1986. Here, Robert Delgado arranges the original Allen Pote composition for mixed voices a cappella (...

This simple piece is taken from a large body of traditional shaker lullabies. Most tunes were sung in unison and were unaccompanied like the first statement from this arrangement. Try it on a spring c...

Larry Shackley is widely known for the ingenuity of his spiritual arrangements. Try this rollicking Christmas work that will surely bring down the house!

It Is Not Death To Die, published by Hinshaw Music, is a deeply moving choral work for mixed choir (SATB) and piano accompaniment. This poignant composition offers comfort and hope in moments of parti...

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

In the typical style of this fine Hungarian composer, Orban challenges the four-part treble voices of a skilled university women's choir.

Composer Ralph Manuel was formerly a missionary to Brazil. This work for unaccompanied four-part treble voices is full of the energetic rhythm that we often associate with Latin America. The work is m...

Jane and Cassandra Austen wrote these poems along with their mother. They were the result of a parlor game in which each line ended in a rhyme with the word 'rose'. Canadian composer Eleanor Daley sco...

This musical elegy by composer Dan Forrest was originally set for mixed voices with optional piano. Also available for male chorus with piano, this new setting for treble voices with piano is a deeply...

The simple tune, arranged here for SSAA voices, is a traditional Lithuanian song that the composer learned as a child. The blending of traditional tonal harmony and imitative polyphony with contempora...

For a medium advanced choir, SATB with div. a cappella

A moderately advanced piece for mixed choir, a cappella, hymn tune Munich, 1693

Fun a cappella concert arrangement of this lively folk tune From Three Mountain Tunes: I'm Goin Away (HMC1129) and Cindy (hmc1051)

Great concert piece for a moderately advanced choir. A medley of traditional spirituals from Where The Sun Will Never Go Down to I Got Shoes. Sure to be a crowd pleaser!

For the fairly advanced group, a Christmas lullabyA single soprano voice sings over the accompaniment of the chorus, an ideal concert piece

Though it appears difficult at first glance, this piece is not as challenging as it looks and is highly recommended for advanced high school and/or college choirs. The composer uses lush and dissonant...