Spartiti difficile di Edition Kunzelmann

Zerrissene Stille è stato scritto nel 2025 per la Zug Sinfonietta ed è dedicato alla memoria di Wolfgang Rihm. Dopo l'ottavo quartetto per archi Gesänge der Sehnsucht, Zerrissene Stille è la seconda c...

Kaleidoscope 2 for string quartet was created as a arrangement of an arrangement. The saxophone quartet 'Winterkreis' ('Winter circle'), written in 1991, is the first step in this chain of arrangement...

At the End of Time, String Quartet No. 7, è stato composto per una serata di balletto con il quartetto d'archi di Schubert Death and the Maiden. Oltre alle citazioni alienate, questa musica di lutto è...

Immerse yourself in a world of profound emotion and sonic poetry with "Gesänge der Sehnsucht" (Songs of Longing, String Quartet No. 8), published by the renowned Edition Kunzelmann. In this setting fo...

The Six sound islands were composed for a concert programme entitled 'Reigen' (round dance) that the composer curated, and were intended to provide an atmospheric bridge between dances by Ligeti, Bart...

I Cinque Concertini per Orchestra d'Archi sono un omaggio ad Antonio Vivaldi, che ha composto oltre 500 concerti solistici. L'opera è composta da cinque micro-concertini per i cinque principali dell'o...

This Fanfare for Wolfgang, for solo piccolo trumpet, was composed to celebrate the 70th birthday of Wolfgang Rihm. What could be better suited as his 70th-birthday greeting than a fanfare?

Whole passages from the Double Trumpet Concerto Final(ment)e have been wrested from their context, restructured and formed into a coda. The result is a colourful mosaic that places the original motive...

Yahaïouniis a word that comes from the Arabic language and means 'the light that shines in the eyes'. This capriccio-shaped piece is a free interpretation of the musical style of the 'compás moro', li...

Rhapsody for Baritone and Orchestra was composed to a text by Sir Salman Rushdie that he compiled especially from his novel The Ground Benea

David Philip Hefti, Schattenlinien per quattro corni naturali e orchestra su strumenti d'epoca. In Schattenlinien, i quattro corni naturali si esibiscono come un quartetto chiuso e disegnano linee, tr...

David Philip Hefti, Schattenlinien per quattro corni naturali e orchestra su strumenti d'epoca. In Schattenlinien, i quattro corni naturali si esibiscono come un quartetto chiuso e disegnano linee, tr...

Resonances 2 (Piano Piece No. 3) were composed in 2016 for the pianist Susanne Kessel and her project '250 piano pieces for Beethoven', which will commemorate Beethoven's 250th birthday in the year 20...

'I wrote the composition The Iron Tetrapod for the 'Graham Ashton Brass Ensemble'. Originally scored for four brass instruments, I rearranged the work - at the suggestion of Ingo Goritzki - for 2 oboe...

This arrangement of the finale from the tone poem 'Don Quixote' is aimed at very ambitious cellists, cello students and professionals. It is ideally suited as an encore at concerts with a cello ensemb...

Starry rain – Mosaik per flauto solo è stato scritto nella primavera del 2024 per il flautista Philipp Jundt ed è stato scritto come eco del concerto per flauto Vier Momente.

After the Swiss-Luxemburgian pentaTon Quintet had already performed Marco Pütz' first composition for wind quintet, they commissioned him to compose a new work for this instrumentation. In his second...

Dedicationes è una raccolta di miniature di dediche che il compositore ha scritto per gli amici in occasione di eventi speciali. Nel corso degli anni, queste dediche sono diventate un bouquet musicale...

Isaac Albéniz composed the individual movements of his Suite Espagnole independently between 1886 and 1899. It was not until 1901 that the suite became known as a coherent cycle. Cellist Bruno Borralh...

The Spanish composer Manuel de Falla lived in Paris for seven years from 1907, where he was inspired by composers such as Claude Debussy, Maurice Ravel, Paul Dukas and Isaac Albéniz. Towards the end o...

'I wrote the composition The Iron Tetrapod for the 'Graham Ashton Brass Ensemble'. Originally scored for four brass instruments, I rearranged the work - at the suggestion of Ingo Goritzki - for 2 oboe...