Spartiti di Musica classica moderna per Coro misto

Hugo Ball was one of the founders of the Zurich Dada movement and wrote this poem for a performance at Zurich’s Cabaret Voltaire in 1916. A nonsense poem, its words have no actual meaning, merely cons...

Il mio nuovo lavoro per il CALMUS Ensemble è stato commissionato per il loro 25° anniversario e continua una collaborazione molto intensa e di successo dopo la mia composizione "And why?". Dalla sua p...

A diptych by poet Mary Jo Salter, the text of Fred Hersch's Two Haiku compares the fleeting span of a life to the turning of the seasons. In addition to painting the words of these brief stanzas with...

Composto per coro misto non accompagnato da Melissa Dunphy su testo di Dora Sigerson Shorter, I am the World è un brano emozionante, pulsante e affermativo che si sviluppa fino a un emozionante finale...

Nocturne è una composizione di Jocelyn Hagen per SATB (divisi) e corno francese. Utilizzando un testo del collaboratore abituale Todd Boss, questo pezzo si svolge delicatamente come un orologio che ti...

She Walks in Beauty arranged for mixed voice choir a cappella by Toby Hession.

My Heart Danceth by Eleanor Alberga, written for SSAATTBB unaccompanied voices.

The Morning star - fades from the sky is an anthem by Judith Bingham for unaccompanied SSATB voices.

Diese wunderschöne, 6 Minütige doppelchörige Vertonung des Gedichts 'Vertue' von George Herbert wurde 2019 gemeinsam von Wiltshire Creative und dem Lichfield Festival für Voces8 in Auftrag gegeben.

Jonathan Dove's We Are One Fire, was commissioned as a birthday present for the 90th anniversary of the BBC Symphony Chorus. Dove turned to playwright Alasdair Middleton for a text that could serve as...

A setting for unaccompanied SATB choir with divisi of George Herbert's poem. The richly textured homophonic piece ends with a beautiful ostinato. Duration 4'30'

British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872-1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sw...

Can you hear me? is written for eight-part a cappella choir and sets a new text by Peter Thomson that asks simple but fundamental questions about the need for human contact. First performed by the Nat...

Du var vinden (You were the wind) by Roderick Williams is a four-minute setting for unaccompanied SATB choir (with divisi) of a short, thought-provoking poem by Norwegian poet Olav H. Hauge, using the...

Spring Memories by Roderick Williams is a four-minute adaptation for unaccompanied SATB voices with divisi of Edvard Grieg's well-known and beautiful piano work Til Våren (from the Lyric Pieces, Book...