Spartiti classica per orchestra da camera

Mendelssohn descrisse la sua opera del 1840 Lobgesang come "una sinfonia per coro e orchestra". È ormai saldamente affermato nel repertorio standard dei maggiori cori oratoriali. Per molti cori, Lobge...

Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an at...

Mendelssohn's oratorio Elias (Elijah) was composed at a time when large choral societies were formed and music festivals involving hundreds of singers were all the fashion. 271 singers and 125 orchest...

But, dear Beethoven, what have you done again? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C...

While Joseph Gabriel Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accomp...

Gioachino Rossini (1792-1868) iniziò a lavorare alla sua versione dell'inno tradizionale, lo Stabat Mater, nel 1831 su richiesta di un certo Fernández Varela. Poiché la salute cagionevole impedì a Ros...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

Questa è la seconda delle sei Messe composte da Franz Schubert (1797-1828), spesso chiamata anche "Messa in sol," e rimane la più conosciuta delle tre ambientazioni più brevi intitolate "Messa." Compo...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

KOMM, SÜSSER TOD (Vieni, dolce morte) fu originariamente scritta per voce sola e basso continuo come parte dei 69 CANTI SACRI E ARIE che J. S. Bach contribuì al MUSICALISCHES GESANGBUCH di Georg Chris...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Written in 1891 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, C...

Live performance includes rehearsal with audience. Movements may be performed separately.

Written as a ballet for small orchestra. This work lasts c. 25 minutes and was first performed on 25/1/2004 at the Royal College of Music, London by the Royal College of Music Sinfonietta, conducted b...

Music from the award-winning BBC dramatization of Jane Austen's Novel Pride and Prejudice arranged for small orchestra. Instrumentation: 1220 - 2000 – pno or fortepiano – strings

'Perfectly structured music of great beauty, fleet-footed and profound, varied and thoughtful... Benjamin possesses a passionate, almost fanatical, gift for tone colour... ' NRC Handelsblad (Joe Stack...

For Soprano and Chamber Orchestra. Six poems by Elizabeth Bishop.