Spartiti Hans Werner Henze per ensemble

In den Jahren 1995/96 komponierte Hans Werner Henze das Ballett Le fils de l'air ou L'enfant changé en jeune homme. Nach der - zauberischen - Verwandlung durch die Künste der Gaukler, in deren Welt si...

When Henze, after nearly half a century, revisited some of his earlier musical material the result was this sophisti-cated little suite of intricate chamber pieces.

In this composition of mine, the poetry is treated as though each of its thoughts were a small aria in itself. These arias are framed by short violoncello quartets into which the harp is entwined. Whe...

I. Frösche wünschen sich einen König. Sie mißverstehen die Warnung Jupiters vor diesem dummen Wunsch, darauf schickt er ihnen einen Kranich, der sie frißt. II. Früher konnten die Krähen wunderschön si...

Henze composed these dances, which can be scored for various instruments, for the orchestra of the conservatory of Deutschlandsberg (Austria). These compositions are based on an anonymous 'Morissa' (S...

Bei diesem Stück handelt es sich um die gesamte, in Sonatenform geschriebene Musik zu dem Film éL'amour a mort' von Alain Resnais, die ich 1983 mit éThe Fires of London' in London in den Hammersmith S...

Jeder der drei Spieler kann seinen Part auch als Solo spielen; auch Duos (Viola/Gitarre, Viola/Orgel, Gitarre/Orgel) sind möglich.

The idea for this music is closely tied to the period during the 80s when I was stimulating cultural activity in smaller towns and villages in Styria. During that time, I had compiled a good number of...

Hans Werner Henze's An Den Wind for SATB choir and instruments. Full score. This piece incorporates text by Christian Lehnert.

I. Le rane vogliono un re. Fraintendono l'avvertimento di Giove contro questo stupido desiderio, e allora egli manda loro una gru per mangiarle. II. In passato, i corvi sapevano cantare benissimo. Ma...

In den Jahren 1995/96 komponierte Hans Werner Henze das Ballett Le fils de l'air ou L'enfant changé en jeune homme. Nach der - zauberischen - Verwandlung durch die Künste der Gaukler, in deren Welt si...

The Kammersonate, for violin, cello and piano was composed in 1948 while Henze was working at the German theatre in Constance. It was the only chamber music written in a year which saw the composition...

The Kammersonate, for violin, cello and piano was composed in 1948 while Henze was working at the German theatre in Constance. It was the only chamber music written in a year which saw the composition...

Henze composed these dances, which can be scored for various instruments, for the orchestra of the conservatory of Deutschlandsberg (Austria). These compositions are based on an anonymous 'Morissa' (S...