Opere strumentali classiche per Orchestra

Un'opera fresca, simile a un'ouverture, scritta su un vecchio tema di origine ebraica. Un'apertura breve e roboante lascia il posto a un'estesa sezione di legato e andantino con tutti i fiati. L'eccit...

Il fiume White scorre vicino al Blue Lake Fine Arts Camp e incontra il lago Michigan nella contea di Muskegan, Michigan. Si possono raccontare molte leggende su questo fiume e sulla bellissima regione...

Jean-Baptiste Lully (1632-1687), while born in Italy, is associated with France, where he became a violinist in the court orchestra of the Sun King, Louis XIV, becoming the King's favorite musician as...

This evocative setting for full orchestra is the second of four movements representing the life of early Native Americans of the Southwest United States. The lyric melodies and flowing lines portray t...

Questa ouverture è tratta dalla Prima Suite in la minore e fu composta nel 1725. È una delle opere più drammatiche di tutto l'autore. Questa edizione è stata segnata da Clifford P. Barnes. Strumentazi...

Un'opera fresca, simile a un'ouverture, scritta su un vecchio tema di origine ebraica. Un'apertura breve e roboante lascia il posto a un'estesa sezione di legato e andantino con tutti i fiati. L'eccit...

Il fiume White scorre vicino al Blue Lake Fine Arts Camp e incontra il lago Michigan nella contea di Muskegan, Michigan. Si possono raccontare molte leggende su questo fiume e sulla bellissima regione...

Jean-Baptiste Lully (1632-1687), while born in Italy, is associated with France, where he became a violinist in the court orchestra of the Sun King, Louis XIV, becoming the King's favorite musician as...

This evocative setting for full orchestra is the second of four movements representing the life of early Native Americans of the Southwest United States. The lyric melodies and flowing lines portray t...

Here's a magnificent arrangement of Purcell's ever-popular Trumpet Voluntary! Nelhybel begins by setting up wonderful counterpoint by splitting the violins into four independent parts before bring in...

All the melodic lines are written in the Dorian mode (D minor, played most of the time on the white keys of the piano) and except for the modern snare drum, the percussion evokes the character of the...

All the melodic lines are written in the Dorian mode (D minor, played most of the time on the white keys of the piano) and except for the modern snare drum, the percussion evokes the character of the...

First performance at the XIII Olympic Winter Games 1980, Lake Placid, New York, by the Crane Chorus and Orchestra, State University College, Potsdam, New York. Instrumentation: 2.2.2+BCl+CBCl.2+CBsn:...

Based on WHEN JOHNNY COMES MARCHING HOME; GLORY, GLORY HALLELUJAH; and AMERICA. "A real crowd pleaser." (The Instrumentalist)

A composition with Eastern European folklore flavor, with a great range of contrast, from a dramatic, melancholic adagio to a frantic 'Transylvanian' folk dance. (VN)

A dramatic, exuberant composition, in which even an average junior high school orchestra can achieve a genuine, big symphonic sound. "Written in D minor, Overture for Orchestra ...is a terrific select...

Based on WHEN JOHNNY COMES MARCHING HOME; GLORY, GLORY HALLELUJAH; and AMERICA. "A real crowd pleaser." (The Instrumentalist)

A composition with Eastern European folklore flavor, with a great range of contrast, from a dramatic, melancholic adagio to a frantic 'Transylvanian' folk dance. (VN)

A dramatic, exuberant composition, in which even an average junior high school orchestra can achieve a genuine, big symphonic sound. "Written in D minor, Overture for Orchestra ...is a terrific select...

In this arrangement of the popular tune (AMERICA or GOD SAVE THE QUEEN), Nelhybel begins with fragments of the melody and gradually coalesces them to the final unison strain. The work includes a solo...

This Scherzo is included in Chaminade's Orchestral Suite and was later transcribed for piano solo. It fits the orchestra like a glove, sparkling color from all sections.

This march in C major begins with a stately melody with dotted-note rhythms, which is shared between the winds and strings. No section is ignored in Philip Clark's orchestration; every instrument has...