Harry R. Gee: spartiti medio

This transcription by Harry Gee can be performed not only on tenor saxophone, but also on soprano saxophone or clarinet.

Johann Ernst Galliard (1687-1749), like Handel, came under the incluence of the Italian style. Arranger Harry Gee has taken two movements from Galliard's SIX SONATAS FOR BASSOON OR VIOLONCELLO which s...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Originally written for a small orchestra, Brahms excluded violins from the original score intentionally, not wanting to include their outstanding brilliance of tone. Brahms instead suggests additional...

Mozart's personal affection for the woodwinds is evident in his many concertos, quartets, quintets and the three serenades. No proper high function in the middle 18th century sees to have been complet...

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

This tuneful adagio by Louis Spohr (1784 - 1859) alternates between F major and minor.

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...

This is a fine recital or contest selection for the intermediate young bass clarinet player.

This short and lively serenade is in the character of a scherzo. The arrangement emphasizes the development of phrasing for the intermediate saxophonist.

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...