Leroy Anderson

La "Scottish Suite" di Leroy Anderson (1908-1975) (1954) aveva originariamente quattro movimenti: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee" e "Turn Ye To Me". Mentre dir...

Partitura oversize! La "Scottish Suite" di Leroy Anderson (1908-1975) (1954) aveva originariamente quattro movimenti: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee" e "Turn Y...

La "Scottish Suite" di Leroy Anderson (1908-1975) (1954) aveva originariamente quattro movimenti: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee" e "Turn Ye To Me". Mentre dir...

Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Come molte delle sue opere, Leroy Anderson (1908-1975) scrisse Fiddle-Faddle su commissione di Arthur Fiedler della Boston Pops Orchestra nel 1947. Originariamente scritto per orchestra d'archi, il ti...

Jazz Pizzicato di Leroy Anderson (1908-1975), scritto nel 1938, è stato il primo dei suoi lavori a essere eseguito dai Boston Pops, dopo aver attirato l'attenzione del direttore dell'orchestra, Arthur...

Jazz Pizzicato di Leroy Anderson (1908-1975), scritto nel 1938, è stato il primo dei suoi lavori a essere eseguito dai Boston Pops, dopo aver attirato l'attenzione del direttore dell'orchestra, Arthur...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

Come l'opera simbolo di Anderson, Sleigh Ride, Horse and Buggy è un altro esempio della sua straordinaria capacità di tratteggiare una scena nostalgica con il suono su una piccola tela, senza sprechi...

Serenata was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor's favorites. Lyrics were added...

FORGOTTEN DREAMS fu completato il 28 maggio 1954. La prima esecuzione avvenne pochi giorni dopo, il 2 giugno, durante una sessione di registrazione per la Delta Records di New York, durante la quale L...

Leroy Anderson, sempre popolare nelle sale da concerto per i suoi pezzi orchestrali leggeri, trovò un grande alleato musicale nella Boston Pops Orchestra sotto la direzione di Arthur Fiedler. Con la p...

Leroy Anderson, sempre popolare nelle sale da concerto per i suoi pezzi orchestrali leggeri, trovò un grande alleato musicale nella Boston Pops Orchestra sotto la direzione di Arthur Fiedler. Con la p...

One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic scored for band by the composer is part of the Anderson Classics S...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

Leroy Anderson was the son of Swedish immigrants. He studied music and foreign languages at the famous Harvard University before starting a brilliant musical career. He was a great church organ player...