Leroy Anderson

The world-famous composer of Orchestral 'Songs Without Words' presents The Typewriter, arranged for Brass Band by Andrew Duncan, with Cornet or Xylophone solo.

Leroy Anderson(Cambridge, Massachusetts, 1908 - Woodbury, Connecticut, 1975) was the son of Swedish immigrants. He studied music and foreign languages at the famous Harvard University before starting...

Remember sand blocks? Leroy Anderson wrote a wonderful tribute to those little covered wood blocks. Here's his original, re-released with a new full score for the first time for the commemoration of t...

Leroy Anderson (1908-1975) è nato a Cambridge, nel Massachusetts. Durante gli studi all'Università di Harvard ha diretto la banda sinfonica dell'università. Nel 1936 fu assunto come arrangiatore dalla...

Siamo lieti di presentarvi un arrangiamento del più noto trio di trombe di Leroy Anderson. Potrete mettere in scena tutta la vostra sezione di trombe con questo brano preferito di grande ispirazione....

A selection of 25 of Leroy Anderson's great melodies. His first piece, 'Jazz Pizzicato', was published in 1939 whilst he was conductor of the Boston Pops Orchestra. . Almost all of Anderson's composit...

In all probability the most famous trumpet trio ever written, this Leroy Anderson delight is now arranged for bassoonists!

One of the most entertaining and useful sounds that string performers can bring to a concert stage is the pizzicato effect of the plucked string. What better way to describe (and to hear) this resonan...

One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic in it's original scoring is part of the Anders...

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.

Serenata è una breve opera orchestrale di Leroy Anderson pubblicata nel 1947. In questa composizione si percepisce l'ottimismo del Paese due anni dopo la fine della Seconda Guerra Mondiale. Un classic...

Leroy Anderson ha scritto: L'idea di questo brano è nata da un passaggio di una poesia di Rudyard Kipling intitolata "Recessional". Anderson continua: È insolito per una marcia. Passa da 2/4 a 3/4. La...

Leroy Anderson ha scritto: L'idea di questo brano è nata da un passaggio di una poesia di Rudyard Kipling intitolata "Recessional". Anderson continua: È insolito per una marcia. Passa da 2/4 a 3/4. La...

An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumenta...

An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumenta...

Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...

Un arrangiamento allegro di questo classico natalizio, con tanto di noci di cocco, campanelle da slitta e frusta (opzionale)! Disponibile in 3 versioni

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

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At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...