Cheryl Frances-Hoad

Dedicated to the Royal Academy of Music on their 200th Anniversary, this short solo accordion piece is quirkily written in Cheryl's characteristic post-tonal musical vocabulary.

Per fisarmonica sola. 10 minuti. Eseguito per la prima volta il 23 febbraio 2024 a St Martin-in-the-Fields, Londra, Regno Unito da Mingyuan Ruan.

Quest'opera per chitarra sola comprende tre brevi brani ispirati alle poesie delle raccolte Scale e Art of Escape di Mina Gorji. Gli insetti e gli artropodi presenti nelle poesie, che ispirano ciascun...

Farewell to Oxford è un breve duetto per pianoforte (a quattro mani) commissionato dalla Messiah University ed eseguito per la prima volta nell'aprile 2024.

La "Dance Suite" di Cheryl Frances-Hoad per pianoforte solo è un'opera di 11 minuti in cinque movimenti, commissionata dal Presteigne Festival per essere eseguita in prima assoluta nell'agosto 2024.

Questa Suite per violoncello solo trae ispirazione dal nuovo meraviglioso libro di Kate Kennedy, Cello: A Journey Through Silence to Sound. Ogni movimento racconta la storia di un violoncello diverso:...

Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memo...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Basato su un estratto di "Larchipel de la Manche (Le Isole del Canale)" di Victor Hugo, questo lavoro di 4 minuti per sassofono e organo è stato commissionato dai membri della Huanui Music Society di...

For SATB and organ, commissioned by The Honourable Society of Lincoln's Inn. This four-and-a-half-minute anthem sets text by John Donne. XXVIII. Son of God, hear us, and since Thou By taking our blood...

For TrATB choir and organ. Commissioned for Worcester Cathedral Choir by The Elmley Foundation in memory of Samuel Driver White. Words by P.H.B. Lyon.

Commissioned by Winchester College for the 2020 Choir Schools' Association Conference. First performed by Winchester College Chapel Choir, May 2020 with Howard Ionascu, conductor and Benjamin Cunningh...

For this piece Cheryl Frances-Hoad worked with the Poet Laureate Simon Armitage. We'll Sing was commissioned by the Huddersfield Choral Society for those lost to the COVID-19 pandemic.

In this work for a mixed choir of any voices and instruments Cheryl Frances-Hoad sets a text by Molly Naylor. Lasting ten minutes this pieces was premiered by Showstoppers: Choir of a Thousand, conduc...

Per coro misto e sassofono. Un'ambientazione della versione inglese moderna di Nevill Coghill del testo di Geoffrey Chaucer.

“Cheryl’s carol is a masterpiece in understatement, hauntingly beautiful and so carefully written for the current generation of King’s College Choir.” Daniel Hyde, Director of Music, King’s College, C...

Per soprano solo, coro SATB e orchestra d'archi. Scritto nel 2024. Durata: circa 19 minuti. With What Sudden Joy è stato commissionato dal Southwell Music Festival per celebrare il suo decimo annivers...

Questo breve lavoro per quintetto di fiati è stato composto per celebrare i centenari di Boulez e Berio. Il titolo scherzoso si riferisce a famose prelibatezze prodotte nei luoghi di nascita di ciascu...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

Commissioned by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percuss...

For mezzo-soprano voice and bass clarinet. How to Win an Election was commissioned by Ian Mitchell and premiered by Alison Wells and Ian Mitchell at St. Mary Magdalen Church, Oxford on 22 January 2018...

Scenes from Autistic Bedtimes (2012-13) is a ten minute work scored for treble, soprano, vibraphone, cello and piano, setting text by Stuart Murray

This short song for mezzo-soprano, cello and piano takes its inspiration from medieval medical practices. It sets text found in the Lacnunga, a collection of Anglo-Saxon medical texts and prayers, for...