Cheryl Frances-Hoad

Preces & Responses e "Il Padre Nostro", composte per il coro del Keble College di Oxford. Scritte per coro SATB con cantore.

Commissione per Stile Antico da parte della Fondazione Stile Antico. 3 minuti per tenore solista e voci miste. «Sono stato felicissimo quando Stile Antico mi ha chiesto di scrivere un nuovo brano per...

La versione originale per CtTTBarB è stata commissionata da Opus Anglicanum ed è stata eseguita per la prima volta presso la chiesa di St. James a Chipping Campden il 14 marzo 2015, seguita da un’esib...

Un brano per orchestra da camera che celebra la vita di cinque donne straordinarie della storia recente. Quest’opera della durata di dodici minuti si svolge senza interruzioni, ma è composta da cinque...

3 minuti e mezzo per organo. Composta come regalo di nozze per alcuni amici del compositore.

A setting for unaccompanied mixed voices of the Dismissal Troparion at Vespers. The work was written for Sonoro as part of the Sonoro Choral Inspirations project.

Written in 2021 for the Choir of Merton College, Oxford, as part of Frances-Hoad's role as Visiting Research Fellow in the Creative Arts. These Preces and Responses are written for mixed choir to be u...

Commissioned by Sarah Foot on the occasion of her installation as the first female Dean of Christ Church, Oxford, on 8 July 2023. For SATB chorus a cappella.

Scritto per il direttore, i membri e gli studenti del Keble College di Oxford, Benedictus Benedicat è un breve lavoro corale per voci bianche.

Per coro ATB, questo inno di quattro minuti è un'ambientazione di John Donne, commissionata dal Capitolo della Cattedrale di St Paul con il sostegno di The Boltini Trust. Eseguito per la prima volta i...

Commissionato dall'Oriel College di Oxford per celebrare i 40 anni dell'ammissione delle donne al college, "O Maria virgo pia" è un lavoro di 5 minuti per coro SATB.

Commissioned and first performed by Sami Junnonen and Male Choir Valkia.

A short work for tenor and piano setting the text of Laura Mucha. The work was commissioned by the Prince Consort and premiered by Andy Staples and Alisdair Hogarth at St. Swithin's, Bath, UK as part...

Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (...

This piece for contralto and piano setting a text from Charles Baudelaire was co-commissioned by Oxford Lieder and the Baudelaire Song Project, with the generous support of the Nicholas John Trust, th...

A short work for mezzo-soprano and piano setting the text of former Poet Laureate of the United Kingdom, Andrew Motion

For soprano and piano, commissioned by Carolyn Sampson.

Six Songs of Melmoth was commissioned by Oxford Lieder and is a musical matryoshka inspired by Melmoth the Wanderer by Charles Maturin and Melmoth by Sarah Perry. The text was written by Sophie Rashbr...

Commissioned by the Oxford Lieder Festival, for baritone and piano, this song sets text by Charles Baudelaire in an English translation by Eleanor Brown. Premiered by Ashley Riches, baritone and Micha...

Everything grows extravagantly was co-commissioned by Oxford Lieder and the Oxford Botanic Garden & Arboretum, in celebration of the 20th Oxford Lieder Festival and the 400th anniversary of the Oxford...

A two and a half minute piece for voices and piano, commissioned and first performed by the London Symphony Orchestra Discovery Choir conducted by Neil Ferris..One Earth sets a text by Di Sherlock for...

A two and a half minute piece for voices and piano, commissioned and first performed by the London Symphony Orchestra Discovery Choir conducted by Neil Ferris..One Earth sets a text by Di Sherlock for...

This aphorism after Aristotle - 13 bars plus a lunga pausa - was written for the wedding of Cheryl and the American trumpeter and percussionist, Brant Tilds, 31 August 2013. The three singers on the o...