Samuel Adler
The Study of Orchestration
The book that set the standard for orchestration texts
Samuel Adler
The Study of Orchestration
The book that set the standard for orchestration texts
- Formazione Arrangiarsi
- Compositore Samuel Adler
- Edizione libro e online audio
- Casa Editrice W. W. Norton & Co.
- Numero d'ordine 9780393600520
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Descrizione:
- Lingua: inglese
- Pagine: 1024
- Pubblicazione: 06.01.2016
- Dimensioni: 205 x 254 mm
- Categoria: Scuole
- ISBN: 9780393600520
Scritto da un rinomato compositore le cui opere sono state eseguite dalle principali orchestre di tutto il mondo, The Study of Orchestration è l'unico testo che esplora le caratteristiche degli strumenti orchestrali e mostra agli studenti come un maestro compositore si approccia all'orchestrazione. La quarta edizione invita gli studenti a sperimentare gli strumenti attraverso registrazioni audio e video online e offre ora una maggiore copertura della scrittura per banda. L'accesso alle registrazioni è incluso in ogni nuova copia.
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Part 1. Instrumentation
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1. The Orchestra Yesterday and Today
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2. Bowed String Instruments
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Construction
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Tuning
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Fingering
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Double, Triple, and Quadruple Stops
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Divided Strings
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Vibrato
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Glissando and Portamento
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The Bow
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Bowing
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Special On-the-String Bowings
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Special Off-the-String Bowings
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Trills and Other Coloristic Effects Using the Bow
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Coloristic Effects without the Bow
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Mutes
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Scordatura
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Harmonics
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Contemporary String Techniques
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3. Individual Bowed String Instruments
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Violin
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Viola
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Violoncello or Cello
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Double Bass
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4. Plucked String Instruments
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Harp
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Guitar
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Mandolin
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Banjo
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Zither
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5. Scoring for String
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Individuality within the Ensemble
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Foreground - Middleground - Background
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Contrapuntal Writing for Strings
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Homophonic Writing for Strings
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Using the String Choir to Accompany a Soloist
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Transcribing from Piano to Strings
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6. The Woodwind Choir (Reed Aerophones)
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Construction
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Classifying Woodwind Instruments
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The Principle of Transposition
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Playing Techniques
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The Woodwind Section of a Symphony Orchestra
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Scoring for Woodwind Instruments
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7. Individual Woodwinds
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Flute
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Piccolo
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Alto Flute
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Bass Flute
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Oboe
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English Horn
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Other Members of the Oboe Family
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Clarinet
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Piccolo Clarinet: Clarinet in D or E-flat
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Bass Clarinet
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Others Members of the Clarinet Family
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Saxophone
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Bassoon
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Contrabassoon
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8. Scoring for Woodwinds and Woodwind-String Combinations
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The Role of Winds in the Symphony Orchestra
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The Variety of Orchestral Treatments
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Homophonic Writing for Winds
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Contrapuntal Writing for Winds
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Using the Wind Choir to Provide a Contrasting Color
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Using the Wind Choir to Double Other Instruments of the Orchestra
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New Types of Articulations For Woodwinds
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Special Effects
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Transcribing from Piano to Winds and Strings
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9. Introduction to Brass Instruments
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Composition of the Brass Section
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Brass Instruments and the Written Orchestral Score
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Overblowing and the Principle of the Harmonic Series
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Crooks, Valves, and Slides
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Range
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Tone Production, Articulation, and Tonguing
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Common Characteristics and Effects on All Brass Instruments
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Mutes
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Muting Devices Other Than Mutes
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10. Individual Brass Instruments
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Horn
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Trumpet
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Cornet
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Other Members of the Trumpet Family
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Trombone
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Other Members of the Trombone Family
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Tuba
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Other Members of the Tuba Family
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11. Scoring for Brass, and Brass Combined with Strings and Winds
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Early Uses of the Brass Choir
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Doubling of Brass Instruments within the Modern Orchestra
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Homophonic Writing for the Brass Choir
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Using the Brass Choir to Present the Melody
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Contrapuntal Writing for the Brass Choir
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Climactic Uses of the Brass Choir
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Using the Brass Choir to Provide a Coloristic Effect
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12. The Percussion Ensemble
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Historical Uses of Percussion Instruments within the Orchestra
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Number and Distribution of Percussion Players
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Notation of Percussion Instruments
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Mallets, Beaters, and Sticks
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Categories of Percussion Instruments
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Instruments of Definite Pitch
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Instruments Of Indefinite Pitch
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13. Keyboard Instruments
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Piano
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Celesta
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Harpsichord
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Organ
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Harmonium
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14. Scoring for Percussion with Keyboard Alone or in Combination
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Percussion Layout in the Full Score
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Percussion Section Setup
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Uses of the Percussion Section
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Part 2. Orchestration
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15. Scoring for Orchestra
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The Unison-Octave Tutti
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The Distribution of Foreground - Middleground - Background Elements within the Orchestra Orchestrating a Melody or Primary Gesture
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Using the Orchestra to Create Special Effects
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16. The Orchestra as Accompanist
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The Concerto
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Accompanying the Vocal Soloist, Ensemble, or Chorus
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17. Transcribing for Orchestra
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Transcribing from Keyboard or Small Chamber Combinations to Orchestra
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Transcribing from Band or Wind Ensemble to Orchestra
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Transcribing to Various Available Instrumental Combinations
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18. The Preparation of Score and Parts
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The Orchestral Score Setup
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The Reduced Score
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The Condensed Score
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Preparing Individual Parts
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19. Scoring for Band or Wind Ensemble
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Scoring for Band
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Band Versus Wind Ensemble
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The Percussion Section within the Band or Wind Ensemble
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The Band and Wind Ensemble Score Setup
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Condensed Score
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Transcribing from Orchestra to Band or Wind Ensemble
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W. W. Norton & Co.
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