Violin-Bibliothek
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'Vox amoris', apart from 'Tala gaisma' (Distant Light), is Vasks' second violin concerto with string orchestra accompaniment. The world premiere of this Fantasia per violino ed archi, as Vasks calls t...
'Vox amoris', apart from 'Tala gaisma' (Distant Light), is Vasks' second violin concerto with string orchestra accompaniment. The world premiere of this Fantasia per violino ed archi, as Vasks calls t...
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In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells th...
In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells th...
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Jean Marie Leclair l'a?'ne (1697-1764) wurde in Lyon geboren. Er studierte u.a. in Turin bei J. B. Somis, einem Schüler Corellis, lebte ab 1728 dauernd in Paris und war bis 1736 als Geiger der kgl. Ka...
Jean Marie Leclair l'a?'ne (1697-1764) wurde in Lyon geboren. Er studierte u.a. in Turin bei J. B. Somis, einem Schüler Corellis, lebte ab 1728 dauernd in Paris und war bis 1736 als Geiger der kgl. Ka...
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I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...
I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...
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In his 'Poèmes', the composer Eduard Pütz (19011-2000) from Cologne bases his compositions on texts by Shakespeare, Petrarca, Mayakovsky, Heine and Verlaine. Great evocative music based on impressive...
In his 'Poèmes', the composer Eduard Pütz (19011-2000) from Cologne bases his compositions on texts by Shakespeare, Petrarca, Mayakovsky, Heine and Verlaine. Great evocative music based on impressive...
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'Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern - Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverk...
'Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern - Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverk...
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Josef Suk (1824-1935) was a bit in the shadow of the two famous Czech composers Antonín Dvorák and Bedrích Smetana. This affected Suk especially because Dvorák was also his father-in-law, a fact that...
Josef Suk (1824-1935) was a bit in the shadow of the two famous Czech composers Antonín Dvorák and Bedrích Smetana. This affected Suk especially because Dvorák was also his father-in-law, a fact that...
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- Ida Bieler
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Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...
Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...
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Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...
Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...
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Cyril Scott composed the 'Three Lyrical Pieces' for violin and piano at the beginning of the 20th century and dedicated them to his friend, the violinist Paul Stoeving, professor at the Guildhall Scho...
Cyril Scott composed the 'Three Lyrical Pieces' for violin and piano at the beginning of the 20th century and dedicated them to his friend, the violinist Paul Stoeving, professor at the Guildhall Scho...
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Iridescent changes of time are the determining element in 'Poème érotique' of Cyril Scott's 'Deux Préludes' composed in 1912. Amid the melodic flow of the violin, the piano undertakes sophisticated sh...
Iridescent changes of time are the determining element in 'Poème érotique' of Cyril Scott's 'Deux Préludes' composed in 1912. Amid the melodic flow of the violin, the piano undertakes sophisticated sh...
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Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...
Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...
- violino e pianoforte
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- Friedemann Eichhorn
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Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...
Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...
- violino e pianoforte
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- Friedemann Eichhorn
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This work, composed in 1990 at the suggestion of the violinist Saschko Gawriloff, is in the tradition of great virtuoso violin concertos. Originally consisting of three movements, the work was revised...
This work, composed in 1990 at the suggestion of the violinist Saschko Gawriloff, is in the tradition of great virtuoso violin concertos. Originally consisting of three movements, the work was revised...
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In this sonata, calm passages alternate with extremely lively ones in traditional style. The piano plays in chordal style most of the time as real accompaniment, with polyphonic ensemble playing not b...
In this sonata, calm passages alternate with extremely lively ones in traditional style. The piano plays in chordal style most of the time as real accompaniment, with polyphonic ensemble playing not b...
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These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkis...
These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkis...
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Every player may imagine a wishful portrait for this short elegiac piece. Musically inspired by contrasting works such as 'Portrait for Tracy' by the jazz bassist Jaco Pastorius and the Saraband in D...
Every player may imagine a wishful portrait for this short elegiac piece. Musically inspired by contrasting works such as 'Portrait for Tracy' by the jazz bassist Jaco Pastorius and the Saraband in D...
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In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato,...
In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato,...
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Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stück, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den...
Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stück, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den...
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