Stan Kenton Series

A great alto saxophone feature. From the incomparable Contemporary Concepts album (1955). It begins with a soft, lovely statement of the melody and ends that way, with a roaring up-tempo middle sectio...

One of the things Johnny Richards did best was write gorgeous melodies (many just think of him as bombastic and obsessed with odd-meter things). This is one of those melodies, as recorded on the Back...

This is a beautiful ballad, exactly as recorded on the Rendezvous with Kenton album. It features solos for alto and tenor saxophones. This is a gorgeous theme in a lovely setting. 5-5-5-3

This is another one of those charts which did not get commercially (or legally) recorded by the band. Hank wrote it in the later years. It features the lush 5-way trombone sound for which the band was...

It is hard to explain the characteristic of this arrangement except to say that, even though Graettinger writes some very adventurous and futuristic textures and lines, you always know where and what...

An absolutely gorgeous Bobby Troup ballad which features trumpet and tenor sax. Beautiful use of the warm sax and trombone sounds so typical of Kenton. As recorded on the Standards in Silhouette CD. 5...

Graettinger arranged this standard in his most unusual way, using dissonance offset with the beauty of this gorgeous melody. It is a trombone solo pretty much throughout the entire ballad. Great writi...

This was recorded by the Stan Kenton Orchestra on Adventures in Jazz. The solo may be played with any one of various instruments, or this could be used as a vocal chart. It was originally played by Ra...

As recorded by the Stan Kenton Orchestra on Sketches on Standards, this is a superb alto saxophone ballad feature, as arranged by Russo for Lee Konitz. Russo employs a dark, brooding, beautiful settin...

Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in Rhythm are included in this medley. Curnow put on paper what the band used to play to close most concerts or dances...

This is one of those charts that can be played by any reasonably accomplished big band (including high school players). It is Mulligan's own chart on his famous tune. The only recorded version of it,...

This version is edited to be played with only 8 brass and a standard saxophone section. As recorded by the Stan Kenton Orchestra on 'Live at Brigham Young University', this is the thrilling latin Stan...

Finally ... the definitive version of this magnificent music. The third of seven movements published by Sierra Music. The original score of Richards' was the source for this and all the movements of t...

As recorded by the Stan Kenton Orchestra on 'Live at Brigham Young University', this is the thrilling Latin Stan Kenton sound like that of 'Malaga' and 'Malaguena' that is sure to dazzle any crowd. So...

Here is another fantastic Lennie Niehaus arrangement as recorded by the Stan Kenton Orchestra on 'The Stage Door Swings' Album. This was the 'missing link' from that album. Now we have all of those ch...

The publication of this piece is dedicated to the memory of Manny Albam, the composer. Bob Curnow took the original orchestration (as recorded by Stan Kenton's Innovations Orchestra) and scored it for...

This is a new edition (Finale computer notation) of the original arrangement, with no editing. Instrumentation requires 1 alto, 2 tenors, baritone and bass saxophone, 5 trumpets, 4 horns in F, 4 tromb...

Saxophonsatz: 1 Alt-, 2 Tenor-, 2 Bariton-Saxophone

A samba in 7/4 ...... only Hank could make that work! This is a tough chart, but well worth the effort. Exactly as recorded on the 'Live at Butler University' CD. Trumpet, alto saxophone and drums are...

Movement I (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The first of seven movements published by Sierra Music. The original score of Richards' was the...

Kenton had many hits over the years, and this very creative arrangement by Pete was one of them. A great Latin setting with that unforgettable trombone lick in the shout chorus. There is room at the e...

Johnny Richards at his best! A very playable chart without a lot of range concerns for brass. A bass trombone feature from beginning to end, in a Latin and a Swing feel. This chart is recorded on the...

As recorded by the Stan Kenton Orchestra on Live at Brigham Young University, this may well be Willie's best chart done for Stan. Maiden uses a latin feel, the lush sound of the trombones and saxophon...

Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library. Willie scored this Miles Davis classic to feature four different saxophone players. A typical chart for...

This may well be the most popular of Hank Levy's scores for the Kenton Band. It is written in 6/8, and is certainly more accessible to most players than other charts of Hank's. It was recorded on the...