Southern Music Woodwind

This sound poem for the advancing flutist offers players an opportunity to play expressively music that is both atonal and technically challenging, while remaining engaging to the audience. It is an i...

as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.' Despite...

Dedicated to the memory of the great flautist Paul Taffanel. This tonal nocturne also provides the flautist many opportunities to display their technique.

Shining as a a beacon to late bloomers everywhere, American composer Arthur Foote (1853 - 1937) did not begin music lessons until he was 12 years old. Originally premiered as the first part of his 'No...

This andante from J.S. Bach's 'Sonata No. 2 in A Minor', witten originally for unaccompanied violin, is full of beautiful cantabile writing that also allows the intermediate flutist to show some techn...

This version of C.P.E. Bach's Sonata in G ('Hamburger' W. 133) is edited by Arthur Ephross, with realization by R.E. Thurston and Janann Stark. This is a wonderful recital selection for the advanced f...

This Prelude and Tango (orginally in D) by Isaac Albeniz is arranged for flute and piano by Arthur Ephross.

I. El Majo Timido, II. Berceuse, III. La Maja Dolorosa, IV. La Maja de Goya

This pleasant andantino is 6/8 is a fine concert or recital piece for an early to intermediate player. Versions for flute and oboe (arranged by James Prodan) and clarinet and tenor sax (arranged by Da...

Orchestrated by Thom Ritter George, Chaminade's famous Concertino Op. 107 is available for both concerts and recitals, with a piano version also available from the publisher. (1987) ca. 8'

This work was commissioned by flutist Tony Watson, who suggested a piece somehow related to water and even provided a long list of water tunes (ballads, sea chanties and others) which could serve as a...

The 1st movement contains two main themes, one short stated at the opening while the 2nd is more lyrical. The 2nd movement is slow with a rising motif 1st introduced by the piano. The last movement ha...

The title literally means 'stolen sonata', a reference to numerous quotes that occur along the way. Some were intentional, some were discovered after the fact, but all are a tribute to music and music...

Sir James Galway became acquainted with this short but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as perfo...

Adapted and based on themes from the Ambroise Thomas opera Mignon, this Paul Taffanel work is a firmly established part of the modern flute repertoire. This new Southern publication features Sir James...

Giulio Briccialdi (1818-1881) was born in Terni, Italy in the Papal States and studied flute with his father until the age of 14. Following the passing of his father, Briccialdi moved to Rome, where h...

PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme, near Lübeck. At a young age, he took violin lessons from the local music director, later switching to flute. By 15 years of age, W...

Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that...