Kalmus Choral Library

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Les Sept Paroles du Christ ("Le sette ultime parole di Cristo") è uno dei due oratori di Théodore Dubois (1837-1924) e rimane l'opera corale più frequentemente eseguita del compositore. Eseguita per l...

Les Sept Paroles du Christ ("Le sette ultime parole di Cristo") è uno dei due oratori di Théodore Dubois (1837-1924) e rimane l'opera corale più frequentemente eseguita del compositore. Eseguita per l...

Les Sept Paroles du Christ ("Le sette ultime parole di Cristo") è uno dei due oratori di Théodore Dubois (1837-1924) e rimane l'opera corale più frequentemente eseguita del compositore. Eseguita per l...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

When the American, music-loving philanthropist, Mrs. Jeannette Thurber, convinced the world-renowned Czech composer Antonín Dvořák (1841-1904) to be the new director of her National Conservatory of Mu...

Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...

Questa edizione dell'opera più famosa di George Frideric Handel è stata curata da Ebenezer Prout e include accompagnamenti aggiuntivi in gran parte riscritti da lui stesso. La prefazione di Prout offr...

Questa edizione dell'opera più famosa di George Frideric Handel è stata curata da Ebenezer Prout e include accompagnamenti aggiuntivi in gran parte riscritti da lui stesso. La prefazione di Prout offr...

Questa edizione dell'opera più famosa di George Frideric Handel è stata curata da Ebenezer Prout e include accompagnamenti aggiuntivi in gran parte riscritti da lui stesso. La prefazione di Prout offr...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

L'impostazione originale per coro e tastiera del "Tui sun coeli" dal Salmo 88 (Vulgata) vv. 12, 15a fu completata da Franz Joseph Haydn (1732-1809) tra il 1796 e il 1799. I titoli alternativi includon...

L'impostazione originale per coro e tastiera del "Tui sun coeli" dal Salmo 88 (Vulgata) vv. 12, 15a fu completata da Franz Joseph Haydn (1732-1809) tra il 1796 e il 1799. I titoli alternativi includon...

L'impostazione originale per coro e tastiera del "Tui sun coeli" dal Salmo 88 (Vulgata) vv. 12, 15a fu completata da Franz Joseph Haydn (1732-1809) tra il 1796 e il 1799. I titoli alternativi includon...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...