Jazz Ensemble Library

Dave Barduhn has given this laid-back Hoagy Carmichael classic an inventive down and dirty treatment. It's a proven crowd-pleaser, and with the impressive alto feature, it's certain to become a favori...

Here is the St. Louis Blues like you've never heard it before! It opens in a slow New Orleans style with optional parts for clarinet and tuba. Quickly shifting key and tempo, this masterful arrangemen...

Composed by Latin master Tito Puente and made famous by Santana, this is one of the most popular Latin tunes ever written. Here's an oustanding arrangement for jazz ensemble featuring sizzling ensembl...

Here's a fresh version of this Ellington classic done in a Latin style that really sizzles. Solid and creative writing for the entire ensemble.

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensem...

Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh neighbor Mike Tomaro pays tribute to this most famous of musical themes in this l...

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a L...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra,...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

True to its title, this really is a 'new' sounding bossa nova with creative harmonies, textures, and surprises. Michael takes the melody through various sections, along with solos for trumpet and alto...

Written by Stevie Wonder and recorded by Michael Jackson on his 1979 album Off the Wall, this familiar hit is treated here in a creative version for jazz ensemble. Incorporating the jazz-influenced ha...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...