Hinshaw Sacred

There are a number of possibilities for this unison piece. Try it on Christmas Eve or Epiphany with children or adults and piano.

Bright, stirring advent piece for 3-part mixed choir with keyboard using the familiar text by Philipp Nicolai, and interspersing the well-loved Wachet Auf melody with original music by John Horman.

An easy and versatile piece for Epiphany written in unison, good for youth or female voices, with organ accompaniment

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This is a wonderful Easter piece for children, beginning adult choir, or for standard choir repertoire for those inevitable Sundays when half the choir is unavailable.

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

This lovely Christmas piece is set for treble voices SA with an optional S2 accompanied by piano. In the lyrical style so true to the works of Allen Pote, the simple text is enhance by creative phrase...

A lovely and simply melody written in two parts

Simple, but effective piece for youth or adult choir, especially nice for confirmation Sunday

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This third century text has been sung during the lighting of lamps in the church for hundreds of years. This new translation is intended to be sung before the singing of Psalms or as a devotional hymn...

This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison singing, various combinations of choir and congregation may sing the sections.

A simple, lilting piece for two-part choir, mostly one part at a time until the end, when the melody is crowned with a descant

This 2-part piece for young or inexperienced choir has a strong, almost martial feel to it

This sprightly piece is part round, part descant, and all great fun for three (equal) part children's choir. Accompaniment is keyboard or handbells, and orff instruments.

From the Accent On Youth series, this easy Advent piece features Wesley's familiar words and Bach's 'Jesu, Joy of Man's Desiring' arranged for unison voices, keyboard, and handbells. Includes a genera...

This gently flowing setting of Havergal's strengthening words is a refreshing and easily learned piece

The story of Zacchaeus has been transcribed for unison voices and piano and is useful for diction practice.

Just what we like about a Sleeth piece: words that are simple, but meaningful, and a tune you'll find yourself humming later. Easy enough for the young children's choir, interesting enough for the old...

From our Accent On Youth Series. This easy, unison or two-part piece features the children's choir with keyboard and handbells.

This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison congregational singing. Various sections may be sung by choir and congregation combined, by choir or con...

Text from Isaiah 55: 6-11. To be sung following the Old Testament. Text From Isaiah 55: 6-11, to be sung following The Old Testament

A Sleeth classic that is easy enough for the children but with message enough for adults.