Hinshaw Sacred

An unusually graceful arrangement of the well-loved tune from 'southern harmony'Also available in SATB (HMC1424)

Familiar text by Isaac Watts with refrain by the composer, written for treble voices (youth or adult)

Mary Duncan's familiar words, 'Jesus, tender Shepherd, hear me' set to a lovely light tune. The third verse has a descant that makes this one rather special.

This one has a nice swing to it that young people would really enjoy!

Simple little Christmas piece to be sung for or by the children, written for unison choir with keyboard accompaniment

From the Accent On Youth Series . A prayer for all children for solo or unison voices (congregation optional) with viola or violin, alto recorder or flute, hand drum, finger cymbals, hanging cymbal, k...

A simple, yet effective piece for Christmas-looking-forward-to-Easter (or possibly Easter-looking-back-at-Christmas), it is Mary ondering these things in her heart'.

Are you looking for a solid general anthem for 2-part mixed voices? This is it-from Lutheran pastor J. Bert Carlson!

Catchy, medium to easy piece for two equal voices (adults and/or children), keyboard, and optional handbellsFrom the Accent On Youth Series

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

For unison or 2-part treble voices, this lilting selection with limited range would be perfect for a school choir, a church's women's chorus, or for children's choir, suitable for Epiphany or Christma...

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Scored for treble voices with piano and cello, this is a deeply meaningful work that is suitable for Mother's Day, baptism, or services of grief and remembrance, two soloists could also sing it.

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

Lovely setting of Psalm 5:1-4, very accessible and highly suitable for a wide variety of worship occasions throughout the church year

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...