Concertino

The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera or...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others.Martini's compositions, between baroque and rococo as to style...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

The edition is part of the Trinity syllabus 2007 (grade 7)

The early classical concerto of Georg Benda, the younger brother of Franz Benda, that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best adva...

The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.

Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which m...

This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.

A popular piece for Christmas concerts in schools or churches.

This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

Dirigierauszug - DIRA - Klavier (Cembalo), 2 Violinen und Bass

Partitur = Cembalo, Klavier - Trompete, Oboe, Streicher und Basso continuo

Leclair is one of the great classical masters of the violin. This concerto is the first of six concertos Op. 10. The score of this edition follows strictly the original edition.

It was the Weihnachtskonzert (Christmas concerto) in C major that won special popularity continuing a tradition which was cultivated by Corelli with his pastoral at the end of Op. 6 No. 8 or by Torell...

It was the Weihnachtskonzert (Christmas concerto) in C major that won special popularity continuing a tradition which was cultivated by Corelli with his pastoral at the end of Op. 6 No. 8 or by Torell...

Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.