Spartiti per pianoforte

Kino-Musik - Haefte I by Jacob Gade, for Piano solo.

Kino-Musik - Haefte II by Jacob Gade.

Michael Scott, one of our most popular composers, has compiled 30 solos from his various new age piano collections. This 80-page book is arranged in three sections: original compositions, arrangements...

These sophisticated Impressionistic-style pieces are filled with gorgeous melodic lines and rich, warm harmonies. The expressive musical phrases sound improvised. Titles

This intermediate-level collection contains seven original piano solos by noted composer/arranger Michael Scott. Each offers a different mood, and students will love playing pieces that sound more dif...

Scott's third volume in this exciting new series features eight original piano solos at the intermediate level. Our top-selling piano composer writes pieces with shades of romanticism and impressionis...

A collection of seven original New Age pieces for the easy piano level.

We've had a very positive response from Michael Scott's treatments of a few classical works in his other collections, so we proudly present this collection of seven world-famous pieces interpreted in...

Michael Scott has answered the requests of many with this book containing eight original easy pieces in the New Age style. Most remain in the five finger position, with some single note stretches, but...

Fifty-five short pieces, the earliest of which dates from 1967, the most recent from 1993. Taken as a whole, this selection of pieces (chosen by the composer) provides a rich overview of the keyboard...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

Featured on pianist William Howard's album Sixteen Contemporary Love Songs, this evocative miniature is simple but rewarding, with a repeating eight-bar chord progression that produces a kaleidoscopic...

For solo piano. This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly anima...