Jesper B Christensen
18th Century Continuo Playing
A Historical Guide to the Basics
Jesper B Christensen
18th Century Continuo Playing
A Historical Guide to the Basics
- Formazione pianoforte
- Edizione spartiti
- Compositore Jesper B Christensen
- Casa Editrice Bärenreiter Verlag
- Numero d'ordine BA8177
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Descrizione:
Immerse yourself in the fascinating world of historical performance practice with "18th Century Continuo Playing: A Historical Guide to the Basics". Published by the renowned Bärenreiter Verlag, this premier sheet music edition serves as the perfect guide for keyboard players eager to master or refine the art of basso continuo from the ground up. This well-founded anthology combines historical sources with practical musical examples, clearly demonstrating the fundamentals of 18th-century harmonization, voice leading, and stylish accompaniment. Whether on the harpsichord, organ, or piano, this comprehensive guide inspires music students, educators, and passionate musicians alike to bring the harmonic foundation of the Baroque era to life. An indispensable addition to any serious sheet music collection!
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the criteria of 'historical performance practice' have become de
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rigeur in the world of early music. Not only has this affected the
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ionstruments and performance techniques used by soloists, it also
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impinges on the 'musical foundation': the accompaniment.
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In his figured bass tutor Jesper Boje Christensen, a teacher at the
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Schola Cantorum in Basle, shows readers how to produce stylistically
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accurate figured bass realizations, wether written beforehand or
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improvised in performance. He hastaken an unusual approach: the
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various figured bass manuals of the early eighteenth century, by
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Dandrieu, St. Lambert, Heinichen, Telemann and others, are clearly
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organized and logically structured and contain practical tips for
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playing from a figured bass. Christensen has put these sources
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together and added comments and written-out examples of his own.
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In this way his tutor not only shows how musicians played at the time,
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but takes a further step of crucial importance: it succinctly
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summarizes the way figured bass was taught and studied, thereby
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creating models for players today.
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