Spartiti per organo

Nell'affrontare il lavoro di diminuzione dei 20 Ricercari contenuti nel Libro terzo, ho deciso per rispetto verso l'originale meruliano di mantenere sempre la presenza delle voci come figurano, rinunc...

The organ sonatas of Francis Edward Gladstone (1845-1928) are fine examples of the developing English sonata tradition of the late-nineteenth century and early twentieth century. They exemplify a prac...

The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the r...

La terza Sonata da Camera di Albert Lister Peace e la sonata di William Wolstenholme dimostrano approcci contrastanti allo strumento nel momento in cui il repertorio inglese di sonate per organo si è...

Le sonate per organo di Henry Hiles e Edward John Hopkins hanno entrambe importanti connessioni con il College of Organists che, nel novembre 1893, divenne il Royal College of Organists. Hopkins fu un...

William Mathias made a significant contribution to twentieth-century organ music. This collection presents seven of his most popular works.

Chen Yi describes her dramatic study in the organ's sonorities: 'From the bronze drum set on top of the totem pole, I imagine that our ancestors played the powerful low percussion instrument, to unify...

Several powerful elements combine to create this striking 11,5-minute organ solo. In composing for the AGO chapter of Albany, NY, where Hailstork was raised and became a musician, the composer selecte...

Compositions for Organ Opus 58

A dramatic work that moves like a violent storm with intervals of placid calm; and resolves into clear sunlight. This perspective of the Passion of St. Dismas is a serialized work based on an four-not...

A chorale; a setting of poet W.H. Auden's ' Our Father; Whose Creative will' from Persichetti's HYMNS AND RESPONSES FOR THE CHURCH YEAR; is the theme of this intricate set of 13 variations. Commission...

A bold first movement leads into an expressive and melodious central movement. The work ends with some typically extrovert organ writing. 

Feierlicher Einzug (mit 2 - 3 Posaunen und 3 Pauken ad lib.)