Spartiti per pianoforte, organo e fisarmonica

Complete Edition Volume 1 - 5. Orgel - Sammelband

Questo volume prosegue l'ambizioso progetto di pubblicare l'opera completa per organo e pianoforte di Vierne. La famosa raccolta "Pièces de Fantaisie", composta da un totale di 24 pezzi di fantasia in...

Chant de May / Chant de Mai Menuet-Scherzo

DEUX PIÈCES POUR GRAND ORGUE OP.38 I. Marche religieuse II. Larghetto DEUX PIÈCES POUR GRAND ORGUE OP. 47 I. Prelude elegiaque II. Pensée d'automne DEUX PIÈCES POUR GRAND ORGUE OP. 53 I. Chant de Ma...

A hybrid piece with some hint of Franck's serious style but containing the 'um-pah' accompaniment of Lefebure-Wely.

Il "Præludium (Basso ostinato) e Doppia Fuga al Corale" è l'unica composizione organistica di rilievo del virtuoso Ferrucio Busoni. Il preludio ha la forma di una passacaglia; la fuga in quattro parti...

Five organ compositions. Content: Fantasi och fuga G-moll Legend I Legend II Legend III Örnen (The Eagle)

Mozart war als Orgelspieler und -improvisator fast noch höher geschätzt als in seiner viel häufigeren Rolle am Cembalo bzw. Hammerklavier. Wie bei anderen Meistern seiner Zeit sind aber nur ganz wenig...

Auf die Entwicklung der französischen Musik gegen Ende des 19. Jahrhundert übte Vincent d'Indy ähnlich großen Einfluss aus wie sein Zeitgenosse Charles-Marie Widor: kompositorisch in fast allen musika...

CDs Rainer Maria Rückschloss (Orgel) gallus sonorus 573212 Elisabeth Biener (Orgel) 3-1849-2 Wolfgang Stockmeier (Orgel) cpo 999 042-2

Gigout's Toccata in B minor is one of the most popular and widely performed concert pieces from the Romantic era.

Jakob Praetorius, who was born in Hamburg on 8 February 1586, studied with Jan Pieterszoon Sweelinck 1602-1603 and was organist at the church of St Peter in Hamburg from 1603-1651. This edition contai...

In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers...

A transcription justifies itself only by forgetting that it is a transcription and by incorporating the 'new' instrument into the work, as it were, Jean Guillou writes in the preface to this edition.E...