Spartiti per pianoforte, organo e fisarmonica

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

This piece takes its inspiration from the Chinese legends of great bells which spontaneously ring without being struck. It requires a variety of interesting techniques from the performer, including st...

This strikingly effective carol for alto solo and a cappella choir combines verse by Robert Louis Stevenson with an ancient Latin antiphon text in music of great spaciousness and lyricism. Offprinted...

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

Bob Chilcott has composed O Lord, make thy servant Elizabeth our Queen for the occasion of Her Majesty The Queen's Platinum Jubilee in 2022. This is a reflection on a piece of the same title by Willia...

For solo piano in two movements. Nubes II concludes the cycle which began with Nubes, both works sharing the same musical material. This second work contrasts with the first by a more subjective music...

Spring Rounds was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style.

For solo piano. This piece uses some melodic, rhythmic and harmonic materials from the late piano music of Albeniz as a starting point. Erkoreka exaggerates or simplifies certain aspects of the tradit...

Nubes (clouds in Spanish) consists of two movements played without interruption. The first, Cumulus, is a play of sonorities based on a fixed intervallic structure. In the distance, one can hear intim...

Sotto Voce consists of an intriguing interplay of isolated notes for the three instruments, with a good deal of pizzicato in the strings.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

Wilberg arranged this familiar hymn for the funeral of US President Gerald Ford. The first two verses are set for unison voices (men on verse one, women on verse two). The final verse is a setting for...

Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...

Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...

Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

Larsen derives a Joplinesque ragtime theme from one of the most familiar passages from Liszt's Mephisto pieces and builds it into a grand showpiece on the Romantic model for advanced pianists. It buil...

Penta Metrics is a set of five short pieces for intermediate-level pianists. The set is composed so that it can be played as a group of five works, or with pieces performed individually. Each piece is...

This short light-hearted piece celebrates NHS fundraiser Captain Tom Moore on his 100th birthday. With a march-like feel and a bouncy swing, this is perfect for beginners craving a jazzy beat.

A perennial favourite from Pianoworks: Book 2, this reflective Allegretto by Janet Bullard is in 5/4 time and features changing time signatures, providing ideal material for the developing pianist.

A perennial favourite from Pianoworks: Book 2, this easy piece by Alan Bullard, based on the twelve-bar-blues sequence, evokes the traditional blues style from the 1920s.

A perennial favourite from Pianoworks: Book 2, this easy yet effective arrangement of the popular 'New World' melody captures all the majesty of Dvořák's original. Arranged by Janet & Alan Bullard.

A perennial favourite from Pianoworks: A Night at the Theatre, this easy yet attractive arrangement captures the essence of the bird-catcher's celebrated aria. Arranged by Janet & Alan Bullard.

A perennial favourite from Pianoworks: A Night at the Theatre, this easy arrangement makes one of ballet's most famous melodies accessible to the developing pianist. Arranged by Janet & Alan Bullard.