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Two of Rodgers' and Hammerstein's most beloved songs are powerfully set together in a combo of great emotion and strength. Available in a new TTBB voicing for men's choirs, your choir will stir every...

This arrangement of the famous song features a soaring vocal line, an active and rhythmic piano part and an optional French Horn counter melody. Perfect for opening or closing any concert.

Direct from the 1950's comes this delightful little song and recorded by a myriad of artists through the decades. Mark Hayes' arrangement is full of fun and life and will be appealing to all ages. Try...

This energetic, uplifting gospel style piece will surely be a hit for singers and audiences alike. A great self-empowering message with a wonderful groove and fun repetitive builds. Available in SATB...

Like much of the First Nation music, it has never been written down, rather passed on aurally from one generation to the next. This arrangement of a Lakota Sioux spiritual is the beginning of an ethno...

Come Cantate significa cantare, un coro di Emily Crocker significa solido, affidabile e con momenti di insegnamento. Il gioioso fraseggio latino e le linee vocali perfette ne fanno un'opera classica d...

In Shakespeare's play 'The Tempest' Caliban is a character who is half human and half monster. In spite of his wild personality he nonetheless delivers the beautiful lines found in this text as if to...

A rhythmic keyboard introduction sets the stage for your young men who enter quietly and with intensity. A steady crescendo results in a glorious climax as the men sing Gloria over and over. This is a...

Now available for TTBB! This Bolivian folksong is alive with rhythm and movement! Body and vocal percussion give this a cappella setting intensity and drive - a wonderful showcase for mixed choruses i...

Here is a three movement suite intended to elevate conversations regarding mental health. Commissioned by the University of Michigan Men's Glee Club, Mark Stover, conductor, Broadway composer Aron Acc...

This classic communion song by Bryan Jeffery Leech has been given new life by veteran arranger, Keith Christopher. The vocal parts are very accessible for any choir and provide a musical invitation to...

This is a powerful piece for men's voices that uses a text from Psalm 81. The voice parts and 4-hand piano part banter themes and statements back and forth with verve and vitality. The warm, contrasti...

In response to the tragic and sudden death of a loved one, poet and lyricist Charles Anthony Silvestri wrote the lyrics for this song dedicated to the lost family member. Tony captured the spirit of t...

Taken from his very popular 'Magnificat,' is this first movement setting for TB voices. Performable with piano alone, it is best experienced with piano, brass and percussion. A great Christmas selecti...

Dan Forrest's original setting of this tune (HMC2353) was written as a memorial work for President John F. Kennedy. This revoicing for male chorus is scored with optional audience/congregation with ke...

Connecting musical expression to those things which affect humanity is obviously important to composer Sherry Blevins. Here, an academic institution connects with Habitat for Humanity and finds expres...

Written for men's voices, set in TTBB voicings with piano accompaniment and option treble semichorus, this setting of Laurence Binyon and Moina Michael was commissioned by the Wessex Male Choir.

Created as a theme song for the It Gets Better Tour, Jeff Marx, composer of Avenue Q and his friend, Mervyn Warren, from Take 6 joined forces to compose this inspirational song. It was featured on the...

Our differences come to light in a very focused way during December, when we celebrate an entire array of holidays and variety of traditions. Merry Everything addresses the disparate holidays by urgin...

This classic Neil Diamond song is perfect for any TB choir! True to style and form, this arrangement can be sung with great gusto, particularly the chorus. The song's feel good message is one that sin...

The famous Beatles' song, 'I Want to Hold Your Hand, ' is arranged here for Tenor and Baritone singers. Appropriate voice ranges with strong support in the accompaniment help bring confidence in singi...