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Léon Boëllmann (1862-1897) studied at the École Niedermeyer and served as titular organist at Saint-Vincent-de-Paul in Paris . Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote m...
Léon Boëllmann (1862-1897) studied at the École Niedermeyer and served as titular organist at Saint-Vincent-de-Paul in Paris . Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote m...
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Léon Boëllmann (1862-1897) war Schüler der Ecole Niedermeyer und Titularorganist an Saint-Vincent-de-Paul in Paris. In der Linie von Saint-Saëns, Franck und Gigout reflektiert sein kompositorisches OE...
Léon Boëllmann (1862-1897) war Schüler der Ecole Niedermeyer und Titularorganist an Saint-Vincent-de-Paul in Paris. In der Linie von Saint-Saëns, Franck und Gigout reflektiert sein kompositorisches OE...
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Heures mystiques: 50 Versets
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Frühe Werke und Werke mit geringem oder fakultativem Pedalgebrauch
Frühe Werke und Werke mit geringem oder fakultativem Pedalgebrauch
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> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword with details on performance practice (Fr/Eng/Ger) > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword with details on performance practice (Fr/Eng/Ger) > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
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> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword (Fr/Eng/Ger) with details on performance practice > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword (Fr/Eng/Ger) with details on performance practice > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
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Louis Vierne (1870-1937) was a pupil of César Franck. He deputised for Charles-Marie Widor at St.-Sulpice (Paris) from 1892 onwards, before being appointed titulaire organist at Notre-Dame (Paris). Vi...
Louis Vierne (1870-1937) was a pupil of César Franck. He deputised for Charles-Marie Widor at St.-Sulpice (Paris) from 1892 onwards, before being appointed titulaire organist at Notre-Dame (Paris). Vi...
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> Vollständige, kritisch praktische Urtext-Edition sämtlicher Orgel- und Klavierwerke Viernes > Sämtliche zu Lebzeiten gedruckte wie auch unveröffentlichte und Vierne zugeschriebene Werke > Basierend...
> Vollständige, kritisch praktische Urtext-Edition sämtlicher Orgel- und Klavierwerke Viernes > Sämtliche zu Lebzeiten gedruckte wie auch unveröffentlichte und Vierne zugeschriebene Werke > Basierend...
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Orgel - Partitur; Urtextausgabe
Orgel - Partitur; Urtextausgabe
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Jubiläumsedition zum 100. Geburtstag
Jubiläumsedition zum 100. Geburtstag
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The publication of the fourth volume concludes the New Edition of the Complete Organ Works by Hugo Distler. The organ partita 'Jesus Christus, unser Heiland' is already available in a shorter version...
The publication of the fourth volume concludes the New Edition of the Complete Organ Works by Hugo Distler. The organ partita 'Jesus Christus, unser Heiland' is already available in a shorter version...
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Orgel - Partitur; Urtextausgabe
Orgel - Partitur; Urtextausgabe
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Bärenreiter has joined forces with the International César Franck Society to produce a five-volume complete edition of the organ works of César Franck. In addition to all accessible sources, it draws...
Bärenreiter has joined forces with the International César Franck Society to produce a five-volume complete edition of the organ works of César Franck. In addition to all accessible sources, it draws...
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Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
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Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
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The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
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Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
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