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Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dopo che Antonín Dvorák ebbe trascorso un periodo di successo a Vienna nell'estate del 1879, durante il quale approfondì la conoscenza di Johannes Brahms e del direttore d'orchestra Hans Richter e sen...

Dopo che Antonín Dvorák ebbe trascorso un periodo di successo a Vienna nell'estate del 1879, durante il quale approfondì la conoscenza di Johannes Brahms e del direttore d'orchestra Hans Richter e sen...

Dopo che Antonín Dvorák ebbe trascorso un periodo di successo a Vienna nell'estate del 1879, durante il quale approfondì la conoscenza di Johannes Brahms e del direttore d'orchestra Hans Richter e sen...

Dopo che Antonín Dvorák ebbe trascorso un periodo di successo a Vienna nell'estate del 1879, durante il quale approfondì la conoscenza di Johannes Brahms e del direttore d'orchestra Hans Richter e sen...

Dopo che Antonín Dvorák ebbe trascorso un periodo di successo a Vienna nell'estate del 1879, durante il quale approfondì la conoscenza di Johannes Brahms e del direttore d'orchestra Hans Richter e sen...

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...