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Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe
Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe
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Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Trompete 1, Trompete 2, Pauke, Streicher, Basso continuo - Partitur; Urtextausgabe
Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Trompete 1, Trompete 2, Pauke, Streicher, Basso continuo - Partitur; Urtextausgabe
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This volume represents the only annual cycle of sacred music of the 18th century printed in score; it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual p...
This volume represents the only annual cycle of sacred music of the 18th century printed in score; it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual p...
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Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...
Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...
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> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
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> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
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Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
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Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
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- riduzione per pianoforte (urtext)
- Felix Mendelssohn Bartholdy
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
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Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...
Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...
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Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...
Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...
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- Pablo Kornfeld
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L'opera di Dvorák è una delle grandi opere di musica sacra del compositore ceco e una delle più importanti ambientazioni da Requiem della storia della musica. Il profondo effetto si basa su una sequen...
L'opera di Dvorák è una delle grandi opere di musica sacra del compositore ceco e una delle più importanti ambientazioni da Requiem della storia della musica. Il profondo effetto si basa su una sequen...
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In qualità di Kapellmeister del teatro reale di corte di Dresda, il compito principale di Carl Maria von Weber era quello di creare un'opera tedesca a corte. Tuttavia, tra i suoi compiti c'era anche q...
In qualità di Kapellmeister del teatro reale di corte di Dresda, il compito principale di Carl Maria von Weber era quello di creare un'opera tedesca a corte. Tuttavia, tra i suoi compiti c'era anche q...
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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- Angelika Tasler
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
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Mendelssohn descrive l'opera, scritta nel 1840, al suo amico Klingemann: "una sinfonia per coro e orchestra ... Solo 3 movimenti sinfonici, seguiti da 12 movimenti corali e solistici; le parole dei Sa...
Mendelssohn descrive l'opera, scritta nel 1840, al suo amico Klingemann: "una sinfonia per coro e orchestra ... Solo 3 movimenti sinfonici, seguiti da 12 movimenti corali e solistici; le parole dei Sa...
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Il direttore d'orchestra e compositore inglese Howard Arman ha presentato una versione completa del Requiem di Mozart. "Un'altra versione?", si potrebbe pensare, dal momento che, accanto alla tradizio...
Il direttore d'orchestra e compositore inglese Howard Arman ha presentato una versione completa del Requiem di Mozart. "Un'altra versione?", si potrebbe pensare, dal momento che, accanto alla tradizio...
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- Howard Arman
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Anton Bruckner's Mass in F minor (WAB 28) stands as one of the most powerful and profound masterpieces of Romantic sacred choral music. Defined by dramatic intensity, sublime grandeur, and moving inti...
Anton Bruckner's Mass in F minor (WAB 28) stands as one of the most powerful and profound masterpieces of Romantic sacred choral music. Defined by dramatic intensity, sublime grandeur, and moving inti...
- solisti, coro misto (SATB), organo e orchestra
- partitura (urtext)
- Edition Peters
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