Spartiti swing per orchestra jazz

Arr. in zwei Tonarten - für Männer- und Frauenstimmen

A swinging chart for vocal quartet with parts provided for SATB, SSAA or solo vocalist. Composed by Harry Warren, pitched in the key of B-flat, this excellent chart is arranged by Dave Wolpe, one of t...

A swinging chart for vocal quartet with parts provided for SATB, SSAA or solo vocalist. Composed by Harry Warren, pitched in the key of B-flat, this excellent chart is arranged by Dave Wolpe, one of t...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Arrangement in 2 Tonarten - für Frauen in C-Dur, für Männer in F-Dur

Arrangement in 2 Tonarten - für Frauen in C-Dur, für Männer in F-Dur

Arrangement in 2 Tonarten. A Gershwin(R) classic for solo vocalist arranged by Dave Wolpe, this chart is written in two keys, B-flat and E-flat, to allow flexibility. The parts are reversible - just f...

Arrangement in 2 Tonarten. A Gershwin(R) classic for solo vocalist arranged by Dave Wolpe, this chart is written in two keys, B-flat and E-flat, to allow flexibility. The parts are reversible - just f...

Jelly Roll Morton always claims that one of the essential elements from the very first days of jazz was the break. A break was when the regular rhythm was suspended, and one of the players had to step...

Recorded by Rob McConnell and the Boss Brass Jazz Big Band Arrangement Well, what can you say about Rob McConnell's writing that hasn't already been said? His writing is consistently interesting, surp...

AS RECORDED BY THE JOE HENDERSON BIG BAND Jazz Big Band Arrangement n the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentatio...

AS RECORDED BY THE JOE HENDERSON BIG BAND Jazz Big Band Arrangement n the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentatio...

AS RECORDED BY THE JOE HENDERSON BIG BAND Jazz Big Band Arrangement n the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentatio...

AS RECORDED BY THE JOE HENDERSON BIG BAND Jazz Big Band Arrangement n the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentatio...

In the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentation. While this band never recorded or performed live, they did get t...

Recorded by the Jazz Interactions Orchestra Jazz Big Band Arrangement This composition by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor...

Recorded by the Jazz Interactions Orchestra Jazz Big Band Arrangement This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor...

Recorded by the Jazz Interactions Orchestra Jazz Big Band Arrangement This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor...

Here is one of the classics of the early Swing Era. Written by Will Hudson, this arrangement served as the theme for the Jimmie Lunceford Orchestra in the 1930s. It was first recorded in 1934 for a se...

Featured on Woody Herman's 1986 GRAMMY Nominated album, '50th Anniversary Tour,' this John Fedchock arrangement captures the unique elements of Thelonious Monk's composition and couples it with the ex...

This beautiful Benny Carter melody was originally composed for the Glenn Miller band (arranged by George Williams) and recorded in 1942. Later Benny wrote his own arrangement of this tune for his big...

Horace Silver's iconic blues received the big band treatment courtesy of arranger Ernie Wilkins for Dizzy Gillespie's big band in 1956. By and large, the arrangement sticks fairly close to Silver's or...

Excerpt from the liner notes of the Lincoln Center Jazz Orchestra's CD release of A Love Supreme, as written by Stanley Crouch: This new version of A Love Supreme is the first example of Wynton Marsal...

Arranged by Don Redman, Transcribed by Dylan Canterbury, Edited by Rob DuBoff and Jeffrey Sultanof It's hard to believe at times that Don Redman composed Chant of the Weed in 1931. It is significantly...