Spartiti quartetto di sassofoni

Recuerdo de una Jornada' was composed for, and dedicated to, the Cuban saxophonist Jorge Luis Almeida and the Havana-based saxophone quartet 'Habana Sax'. Jorge L. Almeida graduated from Cuba's Nation...

This quartet has been composed for and, with great affection, been dedicated to the Havana Conservatory of Music in Cuba, where I myself work as a teacher. This composition aims at reflecting an ordin...

The cheerful and expressive pop-jazz song November Spring was originally written for the saxophone quartet Wheeze (two altos, tenor and baritone). It is a feature for the 1st alto (optional soprano pa...

The Inspiration: In religion there is Mecca for Muslims, the Wall for Jews, the Holy Sepulchre for Christians and so on. These are places in the world where the vibrations are extremely intense and us...

Mike Curtis' stay in the city of Guanajuata in Central Mexico inspired this great musical celebration, filled with evocative, ethnic textures and colours.

Jazz-rock, based on a minor blues scale.

Tenor man Dexter Gordon lived from 1923 to 1990. He developed aworldwide fame for his big, gutsy sound, his command of jazz vocabulary,and his ability to inspire audiences.'Tribute to Dexter' takes a...

Inspired by the 1948 Coleman Hawkins' unaccompanied solo improvisation 'Picasso'. In his 1912 publication The Beginnings of Cubism, avant-garde poet Guillaume Apollinaire defined cubism as the art of...

Up-tempo shuffle. Medium advanced

This piece could be best described as a classically constructed piece with a jazz attitude. The tonal language has more to do with 20th century chamber music than jazz. So do the form and the structur...

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not a...

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not a...

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not a...

Straight-eighth, features a written jazz tenor solo with cadenza.

Relaxed jazz waltz, features a written soprano solo.

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Subtitled A Little Suite For Four, the first movement features a unison melody written in B minor. In the second movement, a leitmotiv with variations and the use of repeated jazz phrases is presented...

Eddie Who?' is reminiscent of the great groove master, the tenor saxophonist Eddie Harris. He was a very independently minded and highly esteemed multi-instrumentalist whose music combined bluesy and...

A set of 4 original compositions for AATBar saxophone quartet. Although the pieces draw from jazz music, they cover a wide variety of styles and leave plenty of room for improvisation.

'Confidence', a composition in ABAC form, uses different stylistic elements taken from jazz, rock and classical music. Starting from the intro, with its bluesy character, the melody of the first secti...

Quick 2-Beat. Ferdinand LaMenthe Jelly Roll Morton and his Red Hot Peppers recorded Black Bottom Stomp in 1926 with an instrumentation of trumpet, clarinet, trombone, piano, banjo, bass, and drums. Re...