Spartiti per pianoforte e voce di ogni genere musicale

This secular work for solo high voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal...

Joan Boytim has selected some of the easisest songs in English from The First Book of Solos series and transposed them for a different voice type for many of the selections in Introduction to Art Song...

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

The text Lauda Sion, written by St Thomas Aquinas, is the sequence for the Feast of Corpus Christi. Monteverdi set stanzas one, two, and twenty-three of the sequence, which contains twenty-four verses...

This follows the order of the liturgy at St. Paul's, West Street, Brighton. Congregational participation (in Hymns, prayers, the Creed and Angelus) has been omitted.

Solostimme und Klavier {20./21. Jahrhundert}

Version for High Voice, in the key of G. Text from St. Matthew's Gospel Chapter Five.

Arranged by Bram Wiggins

Arranged by Simon Lesley. Included in the Trinity College Syllabus

Nicola Vaccai's Practical Vocal Method (Soprano Or Tenor) is complete and scrupulous, providing an ideal preparation for a certain type of 'pre-Rossinian vocalism' which is attracting renewed interest...

Sopran solo, Klavier

Tenor solo, Klavier

From the composer Eric Whitacre: Over the past six years I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical frag...