Spartiti per pianoforte e voce di ogni genere musicale

The Song of the Fragrant Orchid was completed in 1986. It is dedicated to Frances Ann Brookes and Damaris Wollen who took part in its first performance in London, which was accompanied by myself. It w...

Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane's 'Four Shakespeare Lyrics' and 'Five Shakespeare Lyrics' originally composed for...

Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane's 'Four Shakespeare Lyrics' and 'Five Shakespeare Lyrics' originally composed for...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

82 Schubert Songs for High Voice and Piano accompaniment. English translations by Theodore Baker. Complete edition in four parts. Part 1: Die Schone Mullerin, Part 2: Winterreise; Part 3: Schwanengesa...

Edited with introduction, translation and notes by John Glenn Paton.

Original and unedited version for Medium Voice and Piano in A flat major.

Version for Medium Voice and Piano in the key of D major.

Version for High Voice and Piano.

For High Voice and Piano or Organ.

For Low Voice with Piano (Organ or Harmonium) accompanimrnt in the key of A Flat.

A selection of great arias for soprano voice from all the classic operas. Includes selections from The Barber of Seville, Cosi fan Tutte, La Boheme Don Giovanni and much much more...

Seventeen celebrated Wedding songs for High Voice with Piano accompaniment, collected and edited by Bernard Taylor. Intended for those who intend to play an active part in deciding the music played on...

Twenty-seven songs by twenty-two outstanding American composers, compiled by Bernard Taylor. This collection is for Low Voice and Piano.

Chosen and edited by by Bernard Taylor from the wealth of great Classical and Romantic songs. This book beings with the early Italian classics and moves through the songs of Handel and Haydn, and on i...

This is among the most widely used teaching repertoire for singers in the U. S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a samplin...

The Aria Of The Worm from The Ghosts Of Versailles is arranged here for Tenor Voice with Piano accompaniment. This edition includes an informative introduction to the work.