Spartiti per pianoforte e voce di ogni genere musicale

The Undying Splendour is a work by Iain Bell for Tenor Voice and Piano Accompaniment. The work was premiered in the UK at Wigmore Hall in London. The work sets three poems by First World War soldier J...

This work was commissioned jointly by BBC Radio 3 and the Royal Philharmonic Society as part of the New Generation Artists Scheme and was first performed at The Venue, Leeds College of Music, 20th Nov...

A short setting of Shakespeare's sonnet 116, Let me not to the marriage of true minds, for baritone and piano, first performed in Smithfield in July 2017.

24 popular works for tenor voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by...

This piece for contralto and piano setting a text from Charles Baudelaire was co-commissioned by Oxford Lieder and the Baudelaire Song Project, with the generous support of the Nicholas John Trust, th...

Un monodramma che racchiude la compassione, il dolore, la speranza e il terrore di chi ha vissuto la crisi dell'AIDS negli anni Ottanta. The Man With Night Sweats è stato commissionato da Nigel Foster...

Six Songs of Melmoth was commissioned by Oxford Lieder and is a musical matryoshka inspired by Melmoth the Wanderer by Charles Maturin and Melmoth by Sarah Perry. The text was written by Sophie Rashbr...

Version for Mezzo-soprano. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm M...

Version for Soprano or Tenor. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhel...

Version for Baritone. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm Müller...

Version for Bass. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm Müller's D...

We Two è un ciclo di canzoni per basso-baritono e pianoforte che contiene brani tratti da Foglie d'erba del grande poeta americano Walt Whitman. La prima esecuzione dal vivo ha avuto luogo al New York...

Commissioned in 2014 by Welsh National Opera, Ffilm Cymru Wales and The Space as part of WMO's Occupation: Five songs that shook the world, directed by Margaret Constantas.

Commissioned by the Oxford Lieder Festival, for baritone and piano, this song sets text by Charles Baudelaire in an English translation by Eleanor Brown. Premiered by Ashley Riches, baritone and Micha...

Everything grows extravagantly was co-commissioned by Oxford Lieder and the Oxford Botanic Garden & Arboretum, in celebration of the 20th Oxford Lieder Festival and the 400th anniversary of the Oxford...

Small Journeys" per mezzosoprano e pianoforte è stato scritto con il sostegno della Visiting Research Fellowship 2021 in the Creative Arts del Merton College di Oxford. Ognuna delle cinque canzoni rap...

There Will Be a Place è una canzone per soprano e pianoforte composta da Rachel Portman su testo della poetessa americana Dorothy Trogdon. È stata eseguita per la prima volta da Lucy Crowe e Anna Tilb...

Il compositore Iain Bell presenta il testo di Eugene Fields in A Cradle Suite. Il primo volume presenta "Japanese Lullaby" e "Norse Lullaby". Il secondo volume, scritto in duo, evoca le fate, la regin...

Quattro canzoni per tenore solo e pianoforte. Riflessioni poetiche in lingua nahuatl sulla vita e sulla mortalità. Testi del XV secolo di Nezahualcoyotl. Commissionato da Concerts Pamplona ed eseguito...

These Motley Fools di Iain Bell è un ciclo di canzoni per voce e pianoforte commissionato dalla Wigmore Hall al controtenore Lawrence Zazzo. Si tratta di un'esplorazione delle diverse sfaccettature de...

Nella cantata "Ich armer Mensch, ich Sündenknecht", Bach ha creato un alto grado di espressività con risorse vocali minime (tenore solo, solo il corale finale a quattro voci). Gli ultimi tre movimenti...

Prima versione in c

Rezitativ und Arie - Solo S, 2 Vl, Va,Bc