Spartiti per coro misto (SATB)

This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lo...

A homely text by Joyce Kilmer is the starting-point for this gorgeously expressive ballad for choir and piano. Offprinted from Carols for Choirs 6.

This is an adaptation of music from Act 4, Scene 1 of The Pilgrim's Progress so that it may be performed in concert. Recorder, flute, or clarinet may be incorporated in the piano accompaniment as indi...

This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...

Down the Silver Road is a comforting and uplifting setting of the poem To F.W. by Edith Franklin Wyatt, which describes the joy of growing old with a companion.

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The stylistic piano part in the vocal score can be played as written or serve as a guide, and this optional guitar, bass, and dr...

Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...

An exploration of friendship's many facets. The work is in two linked sections; the first exuberant and rhythmically dynamic, the second more lyrical and reflective.

This tender movement from the Advent cantata O Come, Emmanuel is in memory of Bullard's teacher, Herbert Howells, with text translated from a traditional German carol Es ist ein Ros entsprugen. Suitab...

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...

This melody is most commonly heard in the United States, and includes Rutter's own arrangement of the sixth and final verse. Orchestral scores and parts are also available on hire. Offprinted from the...

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a stylistic piano part, and an optional bass and drum kit part, it will...

Ingegneri's setting of Estote fortes in bello alternates between declamatory homophonic sections and imitative contrapuntal writing, culminating in a dance-like and joyful finale of 'alleluia' stateme...

A short upbeat anthem, Cantate Domino sets words from Psalms 9, 95, and 97 and features contrasting styles, optional clapping, and an optional verse in French.

Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chord...

Motette Nr. 21 aus Geistliche Chormusik 1648. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor-SSATTB, Basso continuo ad lib. - Singpartitur

Gemischter Chor - Singpartitur; Spielpartitur

Prima mondiale il 10 febbraio 1974 a Stoccarda: Gächinger Kantorei, direzione di Helmuth Rilling

Prima mondiale il 1° maggio 1987 a Cork/Irlanda: 34° Festival Internazionale di Cori e Danze Popolari, Coro via-nova di Monaco, diretto da Kurt Suttner.

Questi sofisticati brani sono stati creati come pezzi collaterali alla commedia canora basata su e con Heinrich Heine "Aus der Matratzengruft" di Günter Bialas, che è già stata eseguita su diversi pal...

Prima mondiale il 5 giugno 1994 ad Hannover: Camerata Vocale Hannover, diretta da Hans-Dieter Reinecke