Spartiti per coro misto (SATB)

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...

A contemplative setting of the Latin hymn at Lauds for The Feast of Transfiguration, Ben Parry's O nata lux features effective melodic and harmonic phrasing that creates a serene environment for refle...

Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, and imaginative harmonic language, leading to a satisfying Tierce de Pic...

This is a warm and contemplative setting of the medieval Latin hymn, suitable for communion services or for Lent, Passiontide, or Corpus Christi. Built around harmonic sequences and an appealing openi...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended har...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended ha...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Originally published in the anthology, An American Christmas, this is a serene setting of a macaronic text by M. K. Dean describing the song the angels sang for the birth of the Christ-child.

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...

Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, and imaginative harmonic language, leading to a satisfying Tierce de Pic...

This is a warm and contemplative setting of the medieval Latin hymn, suitable for communion services or for Lent, Passiontide, or Corpus Christi. Built around harmonic sequences and an appealing openi...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...