Spartiti per coro misto (SATB)

Davide Perez (1711-1782), who was known to his contemporaries above all as a composer of operas, wrote this skilful late baroque passiontide motet setting of the well-known words from the story of Chr...

Commissioned for the International Choral Festival 'Europa cantat', this little cheerful madrigal was written in 2006 by the composer Enjott Schneider (*1950) from Munich. The Latin text ('Trinklied'...

Commissioned for the International Choral Festival 'Europa cantat', this little cheerful madrigal was written in 2006 by the composer Enjott Schneider (*1950) from Munich. The Latin text ('Trinklied'...

Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian centu...

A zippy song to be sung with extra motions: clapping and stomping.The big hit at the Open Singing events at the Europa Cantat Festival in Mainz!

During his second American tour (1938) Paul Hindemith wrote numerous songs for musical amateurs, including traditional children's songs for American schoolbooks, amongst others. The songs provided wit...

Viktor Ullmann composed his choral arrangements of Hebrew, Yiddish and Chassidic songs in the ghetto of Theresienstadt in 1943/1944. In the function of 'Head of the Studio for New Music', Ullmann made...

When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be p...

In addition to his world-famous film scores ('Godfather', 'La dolce vita'), Nino Rota also composed chamber and vocal music, with choral music playing a prominent role. The three choral pieces selecte...

The Pater noster for choir a cappella, is an homophonic setting of the Mozarabic melody and is suitable for both liturgy and concert. The Mozarabic traditional text includes an extra verse after Panem...

Georg Christoph Biller, direttore del coro della chiesa di San Tommaso a Lipsia, si è proposto di arrangiare il brano strumentale probabilmente più popolare del suo grande predecessore in questa posiz...

Georg Christoph Biller, choirmaster of St. Thomas' Church in Leipzig, set out to arrange the probably most popular instrumental piece of his great predecessor in this position: the famous 'Air' from t...

This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

Andreas Pieper's overall artistic aim to 'build a bridge of confidence to the world behind things' with his music can be heard clearly in his setting of Tollite iugum meum. The Latin-language motet fo...

The fact that Pascal Martiné is a real expert in the field of sacred choral music shows once again in the 'Three Motets' for mixed a-cappella choir (SATB) by the Mainz-based composer and (choir) teach...

The Spanish composer Rafael Sánchez Mombiedro set the well-established text 'O Magnum Mysterium' on the Coming of God to music in a new and inspiring way. He plays with dynamics and strange harmonies,...

The work interprets in a sensitive way the effect Pope Frances, who was elected in March 2013, has on people. Based on three Argentine folk songs, the mass with its powerful and quiet parts arouses fe...

Mit seinem 'Ave verum' hat Alwin M. Schronen ein wahres Kleinod geistlicher A-cappella-Chormusik geschaffen. Der Vertonung für vierstimmigen gemischten Chor (SATB) liegt der altbekannte Text der Eucha...

Kurze Cluster, die sich kaum merklich auflösen und die Harmonie verändern, umspielen das spätromantische Liebesgedicht. Größtenteils getragen und flächig verlangt diese Komposition eine gute Intonatio...

Das Liebesgedicht von Lord Byron lebt in dieser Vertonung durch feinste dynamische Unterschiede und sphärische Klänge. Der Komponist arbeitet mit Temposchwankungen und einer sehr expliziten Ausdeutung...