Spartiti per coro misto (SATB)

This is No. 3 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

This is No. 4 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

'Locus iste' has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other, over-familiar settings.

This emotive motet sets a combination of verses from Psalms 31, 48, and 71. Essentially a prayer for God's protection and guidance, the piece is characterized by pungent and mesmerizing shifts of harm...

This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this b...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

SATB unaccompanied. A fine four-part motet for Christmas.

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams.. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

Molto ammirato come studioso e direttore di coro, il compianto David Trendell ha composto queste Preces & Responses per SATB quando era Organ Scholar dell'Exeter College di Oxford, intorno al 1985. Re...

Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.

For SATB unaccompanied - DiOrio sets a biblical text appropriate for Holy Week and Easter in a fresh, flowing harmonic style. This piece works well in concert settings and in church services.

A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background.

Out of the depths is a reflective, homophonic, and beautifully written work. The choral parts are very accessible, yet the resulting sound is rather sophisticated and thoughtful. This setting of Psalm...

For SATB unaccompanied - Debra Scroggins' setting of a poem by William Blake is both stunning and gentle. The tight harmonies offer a lush and flowing soundscape that conveys warmth and tenderness per...

For SATB with optional solo, unaccompanied. This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos, and, towards the end, the rest of the choir si...

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus. Wertsch uses the full range of dynamics and so adds intensity and variety to the vers...

For SATB unaccompanied. This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

SATB unaccompanied. In this short, strophic, and effective introit Helvey has taken a children's folk melody and arranged and adapted it to fit the text of Mary Louise Bringle's poem. The result is a...