Spartiti per coro misto (SATB)

Classical Brazilian composer Jose Mauricio Nunes Garcia's lyric and sophisticated writing prevail in this setting of the Latin text Domine tu mihi lavas pedes. Ideal for developing a sense of harmony...

Masterful arranging brings grace and power to this treasured hymn from the Amanda Quist Choral Series. Smooth a cappella vocal lines and expressive, soulful textures will create a truly special and me...

Masterful arranging brings grace and power to this treasured hymn from the Amanda Quist Choral Series. Smooth a cappella vocal lines and expressive, soulful textures will create a truly special and me...

Richard Burchard's carefully-crafted setting of No Longer Mourn gives vivid, melodic life to William Shakespeare's text, which is beautifully supported by profound harmonic fullness. A richly satisfyi...

Richard Burchard's carefully-crafted setting of No Longer Mourn gives vivid, melodic life to William Shakespeare's text, which is beautifully supported by profound harmonic fullness. A richly satisfyi...

This expressive work for SATB divisi choir gives smooth lines to the traditional Latin text, taking singers on a journey rich with contrasts of color and expansive chordal harmonies, and at last reach...

This expressive work for SATB divisi choir gives smooth lines to the traditional Latin text, taking singers on a journey rich with contrasts of color and expansive chordal harmonies, and at last reach...

Soon ah will be done wid de troubles of the de world ... this extraordinary a cappella spiritual arrangement is rhythmic, vibrant, and expressive, with excellent vocal writing and energy. A perfect se...

Soon ah will be done wid de troubles of the de world ... this extraordinary a cappella spiritual arrangement is rhythmic, vibrant, and expressive, with excellent vocal writing and energy. A perfect se...

We are all stardust, matter recycled through time to create new stars. Smooth, connected lines and lush harmonic textures are the framework for this beautiful, ethereal piece for mixed choirs. A uniqu...

We are all stardust, matter recycled through time to create new stars. Smooth, connected lines and lush harmonic textures are the framework for this beautiful, ethereal piece for mixed choirs. A uniqu...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

Where Are You? Stephen Bock's poignant text asks where a loved one has gone, now that death has come. Burchard's setting for a cappella SATB divisi and two soloists, with its rising, searching motives...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...