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Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
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Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
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If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
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If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
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Text: Eduard Mörike (1804-1875)
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Hans Georg Bertram hat den klassischen Text von Luthers Morgen- und Abendsegen als gesungenes Gebet komponiert. In schlichter vierstimmiger Klanglichkeit und genau dem Sprachrhythmus folgend, hat der...
Hans Georg Bertram hat den klassischen Text von Luthers Morgen- und Abendsegen als gesungenes Gebet komponiert. In schlichter vierstimmiger Klanglichkeit und genau dem Sprachrhythmus folgend, hat der...
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- Julius Abel
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